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Authorship and appropriation : writing for the stage in England, 1660-1710 /

The author argues that the period in England, from 1660 to 1710 saw the move towards modern attitudes to dramatic art. This required authors to be the sole begetters of their works. The author also explores developments in the theatrical marketplace.

Bibliographic Details
Main Author: Kewes, Paulina
Format: eBook
Language:English
Language Notes:English.
Published: Oxford [England] : New York : Clarendon Press ; Oxford University Press, 1998.
Series:Oxford English monographs.
Subjects:
English drama > Restoration, 1660-1700 > History and criticism.
Dramatists, English > Early modern, 1500-1700 > Economic conditions.
Dramatists, English > 18th century > Economic conditions.
English drama > 18th century > History and criticism.
Playwriting > History > 17th century.
Playwriting > History > 18th century.
Theater > Economic aspects > England.
Théâtre anglais > 1660-1700 (Restauration) > Histoire et critique.
Dramaturges anglais > 18e siècle > Conditions économiques.
Théâtre anglais > 18e siècle > Histoire et critique.
Création dramatique > Histoire > 17e siècle.
Création dramatique > Histoire > 18e siècle.
Théâtre > Aspect économique > Angleterre.
Dramatists, English > Early modern > Economic conditions.
English drama.
English drama > Restoration.
Playwriting.
Theater > Economic aspects.
England.
Auteurschap.
Plagiaat.
Toneelstukken.
Engels.
Théâtre > Aspect économique > Angleterre (GB)
Auteurs dramatiques anglais > 17e siècle.
Théâtre (genre littéraire) anglais > 17e siècle > histoire et critique.
1600-1799
Electronic books.
Criticism, interpretation, etc.
History.
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Internet

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Call Number: PR698.E35 K49 1998
 
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PR698.E35 K49 1998 Available