New Hollywood and Countercultural Whiteness : Affective Affinities and the Politics of Male Expressivity
In the late 1960s, the white counterculture enters the screens with Bonnie and Clyde and Easy Rider; in 1976, a backlash seems to have taken place with white male protagonists such as Travis Bickle, Howard Beale, and Rocky Balboa being surrounded by non-white and female others. But these films canno...
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| Format: | eBook |
| Language: | Undetermined |
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De Gruyter
2024
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| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- Frontmatter
- Acknowledgments
- Contents
- Introduction
- Chapter 1. Easy Riders, Lost Selves: Countercultural Whiteness and the Politics of Expressivity
- Chapter 2. Countercultural Fantasies of Untamed Motion
- Chapter 3. Countercultural Fantasies of Emotional Truth
- Chapter 4 The Countercultural Romance of Madness
- Films
- Works Cited
- Index