New Hollywood and Countercultural Whiteness : Affective Affinities and the Politics of Male Expressivity

In the late 1960s, the white counterculture enters the screens with Bonnie and Clyde and Easy Rider; in 1976, a backlash seems to have taken place with white male protagonists such as Travis Bickle, Howard Beale, and Rocky Balboa being surrounded by non-white and female others. But these films canno...

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Bibliographic Details

Main Author:	Kadritzke, Till
Format:	eBook
Language:	Undetermined
Published:	De Gruyter 2024
Subjects:	USA. PERFORMING ARTS / Film & Video / General. Electronic books.
Online Access:	Connect to the full text of this electronic book