Table of Contents:
  • Acknowledgments
  • Chapter 1: Posting the cinema / Gary D. Rhodes and Robert Singer
  • Chapter 2: Lurid disgrace or artful advertising? The American movie poster, 1916-1934 / Gary D. Rhodes
  • Chapter 3: Pushing the limits of the para: the industrial complications of second-wave exploitation film posters as paratext / Alicia Kozma
  • Chapter 4: Print, publicity, and place: intersecting histories of cinemas in India (1930s-60s) / Madhuja Mukherjee
  • Chapter 5: The Cuban film poster: revolution by design / Laura Hatry
  • Chapter 6: Meaningful posters and postcolonial melancholia: Black Girl, Touki Bouki, and Cuties / Vlad Dima
  • Chapter 7: Silent Running: art and eco-memory / Michael L. Shuman
  • Chapter 8: Creature from the Black Lagoon and beyond / Frank Percaccio
  • Chapter 9: Shutter Island: a doppelgänger's dream / Courtney Ruffner Grieneisen
  • Chapter 10: Abandoned cars and bending skyscrapers: architectural disjuncture in M. Night Shyamalan's "The Happening" / Lynette Kuliyeva
  • Chapter 11: Round like a circle in a sprial: the poster art of film noir / Marlisa Santos
  • Chapter 12: Marketing the beastly: Lang's Human Desire / Robert Singer
  • About the contributors
  • Index.