rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    title: Theatrimusicality
    sub title: spectauralising performance
  name:
    name part: Tan, Marcus Cheng Chye
    role:
      role term: creator
    role:
      role term: author.
  type of resource: text
  genre: bibliography
  origin info:
    place:
      place term: sz
    date issued: 2026
    issuance: monographic
  language:
    language term: eng
  physical description:
    form: remote
    extent: 1 online resource (x, 239 pages) : illustrations
  abstract: Situated at the interstices of music and theatre studies, Theatrimusicality: Spectauralising Performance reframes the dynamic interplay of theatricality and musicality and theorises theatrimusicality as a conceptual consequent of analysing contemporary performance practices that lie in the intersection between theatre and music. The book introduces theatrimusicality as a hermeneutic apparatus and a dramaturgical approach to examining these works of the 'in-between' that defy neat taxonomies. Examining the co-transformative inter-workings, where the musical frames the theatrical even as the theatrical fashions the musical, Tan demonstrates how theatrimusicality allows new ways of meaning-making, interpretation and analysis. The book also introduces an accompanying concept of spectaurality, a mode of reception that involves 'seeing' musicality and 'listening' to theatricality. Encountering performance spectaurally engenders alternative interpretive and affective experiences. Through deep analyses of a range of performances from varying cultures and contexts, Theatrimusicality encourages an appreciation of the co-presence of listening and seeing where perception becomes intertwined and relational.
  table of contents: 1. Introduction: Theatricality, Musicality, Theatrimusicality -- 2. Theatrimusicality as Otobiography: Seeing the Music of Margaret Leng Tan -- 3. Theatricalising (String) Music: Choreographic Musicality -- 4. Reflexive Theatrimusicality: The Encounter as Sonic Theatre -- 5. Conclusion.
  note: Marcus Cheng Chye Tan.
  note: Includes bibliographical references and index.
  subject:
    topic: Music
    topic: Performance
  subject:
    topic: Musical theater
  subject:
    topic: Musique
    topic: Exécution
  subject:
    topic: Théâtre musical
  classification: ML457 .T36 2026
  classification: 781.4/3
  identifier: 9783032085849 (electronic bk.)
  identifier: 3032085845
  identifier: 9783032085832
  location:
    physical location: POD
  record info:
    record content source: GW5XE
    record creation date: 260317
    record change date: 20260418233628.6
    record identifier: in00005779005
    language of cataloging:
      language term: eng