http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
Paul Mellon Centre for Studies in British Art
ix, 238 pages : illustrations (chiefly color), maps, facsimiles ; 28 cm
"While J. M. W. Turner's iconic painting The Slave Ship (1840) is celebrated as a powerful criticism of the transatlantic trade in enslaved people, his personal and professional ties to slavery tell a more nuanced story. This book provides the first detailed analysis of Turner's evolving responses to slavery over his lifetime, from his financial investment in a Jamaican property worked by enslaved labourers to his later denunciation of the trade in his art. Drawing on extensive archival research, Turner and the Slave Trade traces the artist's interactions with patrons tied to the plantation economy and examines the impact of abolitionist discourse on his work. Key chapters investigate The Slave Ship, its inspiration, and its contested interpretations while situating Turner within broader debates about art, slavery, and shifting public sentiment."-- dust jacket flap.
The ties that bind -- Turner's Jamaican investment -- Patrons and plantations -- Imaging slavery -- New contexts and new directions -- Turner's Slave Ship -- 1840 and after.
Includes bibliographical references (pages 185-227) and index.
Turner, J. M. W. (Joseph Mallord William)