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|a UIU
|b eng
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|d OCLCO
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| 019 |
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|a 1231606877
|a 1240172349
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| 020 |
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|a 9780191890499
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|a 0191890499
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|z 0198857926
|q (hardback)
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|z 9780198857921
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|a 9780192599803
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| 020 |
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|a 0192599801
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| 035 |
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|a (OCoLC)1233084151
|z (OCoLC)1231606877
|z (OCoLC)1240172349
|
| 050 |
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4 |
|a PR830.R4
|b J66 2021
|
| 082 |
0 |
4 |
|a 809.3912
|2 23
|
| 049 |
|
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|a TXAM
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| 100 |
1 |
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|a Jones, Charlotte
|q (Charlotte Rebecca),
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PCjGb49Wymp3QVckpx74W9P
|
| 245 |
1 |
0 |
|a Realism, form, and representation in the Edwardian novel :
|b synthetic realism /
|c Charlotte Jones.
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| 250 |
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|a First edition.
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| 264 |
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1 |
|a Oxford :
|b Oxford University Press,
|c 2021.
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| 264 |
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4 |
|c ©2021
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| 300 |
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|a 1 online resource (xxvi, 303 pages)
|
| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|a Joseph Conrad: the visible universe -- May Sinclair: the finding of the absolute -- Arnold Bennett: what life is -- H. G. Wells: more than history can pattern -- Ford Madox Ford: the whole impression.
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| 520 |
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|a "‘The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another,' wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the ‘real' of the realist novel? What kind of perception is required to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James's account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence and ineffability. Realism, Form, and Representation in the Edwardian Novel recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how—or if—we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguistic practices—a formulation Charlotte Jones refers to as ‘synthetic realism'. In new readings of Edwardian novels (including Conrad's Nostromo and The Secret Agent, Wells's Tono-Bungay, and Ford's The Good Soldier), Jones revises and reconsiders key elements of realist novel theory—metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free indirect discourse; causal linearity—to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material. In restoring a metaphysical dimension to the realist novel's imaginary, Realism, Form, and Representation in the Edwardian Novel offers a new conceptualisation of realism both within early twentieth-century literary culture and as a transhistorical mode of representation"--Publisher's description.
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| 588 |
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|a Description based on online resource; title from PDF title page (Oxford Scholarship Online, viewed on May 19, 2021).
|
| 650 |
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0 |
|a English fiction
|y 20th century
|x History and criticism.
|
| 650 |
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0 |
|a Realism in literature.
|
| 650 |
|
6 |
|a Roman anglais
|y 20e siècle
|x Histoire et critique.
|
| 650 |
|
6 |
|a Réalisme dans la littérature.
|
| 650 |
|
7 |
|a 19th Century.
|2 bisacsh
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| 650 |
|
7 |
|a Modern.
|2 bisacsh
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| 650 |
|
7 |
|a English fiction
|2 fast
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| 650 |
|
7 |
|a Realism in literature
|2 fast
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| 648 |
|
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|a 1900-1999
|2 fast
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| 655 |
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7 |
|a Electronic books.
|2 local
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| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
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| 758 |
|
|
|i has work:
|a Realism, form, and representation in the Edwardian novel (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFTgh8J9fMh3qr3f9rytyq
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|a Jones, Charlotte,
|t Realism, form, and representation in the Edwardian novel.
|b First edition
|z 9780198857921
|w (OCoLC)1147912405
|
| 856 |
4 |
0 |
|u http://proxy.library.tamu.edu/login?url=https://academic.oup.com/book/31997
|z Connect to the full text of this electronic book
|t 0
|
| 955 |
|
|
|a Oxford Scholarship Online
|
| 994 |
|
|
|a 92
|b TXA
|
| 999 |
f |
f |
|i 27ebd130-6181-4efd-ba4a-88babcbd8456
|s 12a68de3-da16-48c1-b475-c3817425f696
|t 0
|
| 952 |
f |
f |
|a Texas A&M University
|b College Station
|c Electronic Resources
|s www_evans
|d Available Online
|t 0
|e PR830.R4 J66 2021
|h Library of Congress classification
|
| 998 |
f |
f |
|a PR830.R4 J66 2021
|t 0
|l Available Online
|