British literature and culture in Second World Wartime : for the duration /
"What happens to the concept of wartime in the 1940s? For the Duration excavates British late modernism's relationship to war in terms of chronophobia: a joint fear of the past and future. Coloured by the trauma of past violence and dread of those to come, the Second World War and its defi...
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| Format: | eBook |
| Language: | English |
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Oxford, United Kingdom ; New York, NY :
Oxford University Press,
2020.
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| Edition: | First edition. |
| Series: | Oxford mid-century studies.
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| Subjects: | |
| Online Access: | Connect to the full text of this electronic book |
| Summary: | "What happens to the concept of wartime in the 1940s? For the Duration excavates British late modernism's relationship to war in terms of chronophobia: a joint fear of the past and future. Coloured by the trauma of past violence and dread of those to come, the Second World War and its defining military strategy, civilian aerial bombardment, upended straightforward understandings of past, present, and future. Identifying a constellation of temporalities and affects under three tropes--time capsules, time zones, and ruins--the book contends that Second World Wartime is a pivotal moment when wartime surpassed the boundaries of a specific state of emergency, becoming first routine and then open-ended. It scrutinizes a variety of cultural artefacts, from life-writings to short stories, from novels to film and painting, that formally registered the distinctiveness of this wartime through a complex feedback between anticipation and retrospection. While offering a strong foundation for new readers of the mid-century, the book and its overall theoretical focus on chronophobia will be an important intervention for those already working in the field"--Publisher's description. |
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| Physical Description: | 1 online resource (vi, 297 pages) : illustrations |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9780192577641 0192577646 9780191876530 0191876534 |