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|a YDX
|b eng
|e rda
|e pn
|c YDX
|d EBLCP
|d N$T
|d STBDS
|d BRX
|d OCLCF
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|d CLOUD
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|d OCLCQ
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|d COA
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| 019 |
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|a 1340066661
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|a 9780190947217
|q (electronic bk.)
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|a 0190947217
|q (electronic bk.)
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|a 9780190947200
|q (electronic bk.)
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|a 0190947209
|q (electronic bk.)
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| 020 |
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|z 9780190947187
|q (hardcover
|q alkaline paper)
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| 020 |
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|z 0190947187
|q (hardcover
|q alkaline paper)
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| 024 |
8 |
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|a (WaSeSS)ssj0002187062
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| 035 |
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|a (OCoLC)1104073112
|z (OCoLC)1340066661
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| 050 |
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4 |
|a ML410.B42
|b F4 2019eb
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| 082 |
0 |
4 |
|a 780.92
|2 23
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| 049 |
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|a TXAM
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| 100 |
1 |
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|a Ferraguto, Mark,
|e author.
|
| 245 |
1 |
0 |
|a Beethoven 1806 /
|c Mark Ferraguto.
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| 264 |
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1 |
|a New York, NY :
|b Oxford University Press,
|c [2019]
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| 264 |
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4 |
|c ©2019
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| 300 |
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|a 1 online resource (xxi, 245 pages) :
|b illustrations, music
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 347 |
|
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|a text file
|2 rdaft
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| 490 |
1 |
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|a AMS studies in music
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
0 |
|t After Leonore --
|t Music for a virtuoso: Opuses 58 and 61 --
|t Music for a diplomat: Opus 59 --
|t Music for a culture hero: Opus 60 --
|t Music for a French piano: WoO 80 --
|t Music for a playwright: Opus 62 --
|t Conclusion: "everyday" Beethoven.
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| 588 |
0 |
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|a Online resource; title from PDF title page (viewed June 9, 2020)
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| 520 |
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|a Between early 1806 and early 1807, Ludwig van Beethoven completed a remarkable series of instrumental works. But critics have struggled to reconcile the music of this banner year with Beethoven's "heroic style," the paradigm through which his middle-period works have typically been understood. Drawing on theories of mediation and a wealth of primary sources, Beethoven 1806 explores the specific contexts in which the music of this year was conceived, composed, and heard. As author Mark Ferraguto argues, understanding this music depends on appreciating the relationships that it both creates and reflects. Not only did Beethoven depend on patrons, performers, publishers, critics, and audiences to earn a living, but he also tailored his compositions to suit particular sensibilities, proclivities, and technologies
|
| 600 |
1 |
0 |
|a Beethoven, Ludwig van,
|d 1770-1827
|x Criticism and interpretation.
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| 600 |
1 |
7 |
|a Beethoven, Ludwig van,
|d 1770-1827
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJcGqDQFTYGptdQPd7RkDq
|
| 650 |
|
0 |
|a Music
|y 19th century
|x History and criticism.
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| 650 |
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6 |
|a Musique
|y 19e siècle
|x Histoire et critique.
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| 650 |
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7 |
|a Classical.
|2 bisacsh
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| 650 |
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7 |
|a Genres & Styles.
|2 bisacsh
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| 650 |
|
7 |
|a MUSIC.
|2 bisacsh
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| 650 |
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7 |
|a History & Criticism.
|2 bisacsh
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| 650 |
|
7 |
|a Individual Composer & Musician.
|2 bisacsh
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| 650 |
|
7 |
|a Music
|2 fast
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| 648 |
|
7 |
|a 1800-1899
|2 fast
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| 655 |
|
7 |
|a Electronic books.
|2 local
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| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
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| 758 |
|
|
|i has work:
|a Beethoven 1806 (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGCb4FkqQWcyPxmpT3pByd
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|a Ferraguto, Mark.
|t Beethoven 1806.
|d New York, NY : Oxford University Press, [2019]
|z 9780190947187
|w (DLC) 2019002769
|w (OCoLC)1084627730
|
| 830 |
|
0 |
|a AMS studies in music.
|
| 856 |
4 |
0 |
|u http://proxy.library.tamu.edu/login?url=https://academic.oup.com/book/32456
|z Connect to the full text of this electronic book
|t 0
|
| 955 |
|
|
|a Oxford Scholarship Online
|
| 994 |
|
|
|a 92
|b TXA
|
| 999 |
f |
f |
|i abfa27ee-8227-4662-85cb-6d3062551aa9
|s 7441b106-a7ed-4b9d-a1e6-e5435725e01c
|t 0
|
| 952 |
f |
f |
|a Texas A&M University
|b College Station
|c Electronic Resources
|s www_evans
|d Available Online
|t 0
|e ML410.B42 F4 2019eb
|h Library of Congress classification
|
| 998 |
f |
f |
|a ML410.B42 F4 2019eb
|t 0
|l Available Online
|