Evaluative perception /

Evaluation is ubiquitous. This volume brings together philosophers to investigate whether there is a distinctive kind of perception that is evaluative. If so, what role does it play in evaluative knowledge, and what does its existence tell us about the nature of value?

Bibliographic Details
Other Authors: Bergqvist, Anna (Editor), Cowan, Robert, 1971- (Editor)
Format: eBook
Language:English
Published: Oxford, United Kingdom : Oxford University Press, 2018.
Edition:First edition.
Series:Mind Association occasional series.
Subjects:
Online Access:Connect to the full text of this electronic book

MARC

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245 0 0 |a Evaluative perception /  |c edited by Anna Bergqvist, Robert Cowan. 
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264 1 |a Oxford, United Kingdom :  |b Oxford University Press,  |c 2018. 
300 |a 1 online resource 
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490 1 |a Mind association occasional series 
520 8 |a Evaluation is ubiquitous. This volume brings together philosophers to investigate whether there is a distinctive kind of perception that is evaluative. If so, what role does it play in evaluative knowledge, and what does its existence tell us about the nature of value? 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
520 |a Evaluation is ubiquitous. This volume brings together philosophers to investigate whether there is a distinctive kind of perception that is evaluative. If so, what role does it play in evaluative knowledge, and what does its existence tell us about the nature of value? 
505 0 |a Cover; Evaluative Perception; Copyright; Contents; List of Contributors; Introduction; 1. Existence and Nature of Evaluative Perception; 2. Epistemology and Evaluative Perception; 3. Value Theory and Evaluative Perception; PART I: The Existence and Nature of Evaluative Perception; 1: Rich Perceptual Content and Aesthetic Properties; 1. For and Against the Sceptical Challenge from Sc; 1.1. Sparse versus rich perceptual content; 1.2. Two aesthetic cases and two categories of explanation; 2. Ambiguous Figures and the Argument from Seeing-As; 2.1. The argument 
505 8 |a 2.2. A rejoinder and some general lessons2.3. Concluding the argument: rich perceptual content of aesthetic properties; 3. Further Motivating AP: Mechanisms for Explanation; 4. A Conclusion and a Speculation; 2: Can We Visually Experience Aesthetic Properties?; 1. Arguments for (A) from Phenomenological and Epistemic Considerations; 2. An Argument Against (A) from Illusion; 3. An Argument for (A) from 'Observationality'; 4. An Argument for (A) from the Metaphysics of Aesthetic Properties; 5. Conclusion; 3: Moral Perception Defended; 1. Outline of a Theory of Moral Perception 
505 8 |a 1.1. The perceptible and the observable1.2. The analogy between perception and action; 2. The Representational Character of Moral Perception; 2.1. Sensing physically versus sensing morally; 2.2. The multileveled character of perception; 2.3. Moral perception as a basis for moral knowledge; 3. The Phenomenological Problem; 3.1. The presentational aspect of perception; 3.2. Perception of emotion as an analogous case; 4. Perception and Inference; 5. Perception and Cognition; 5.1. Object perception, aesthetic perception, and moral seemings; 5.2. 'Cognitive penetration' 
505 8 |a 6. Moral Perception, Realism, and Rationalism7. Perception, Conception, and Perceptual Belief; 8. Conclusion; 4: Evaluative Perception as Response-Dependent Representation; 1. What Is Involved in Evaluative Perception?; 2. Rich versus Austere Accounts of Perceptual Content; 3. Intrinsic Representation of Response-Dependent Properties; 4. Response-Dependent Representation; 4.1. Pain; 4.2. Moral Properties; 5. Concluding Remarks; 5: Doubts about Moral Perception; 1. Introduction; 2. Moral Perception: Focusing the Issue; 3. The Method of Phenomenal Contrast; 4. Three Points Against (MP) 
505 8 |a 5. Two Objections6. Conclusion; 6: Seeing Depicted Space (Or Not); 1. Introduction; 2. Seeing-In; 2.1. Seeing-in as experienced resemblance; 2.2. Seeing-in as recognition; 3. Seeing Empty Space In Pictures; 3.1. The glimmering of facts; 3.2. Permeated pictorial perception; 4. Seeing Depicted Space (Or Not): Three Clarifications and Four Examples; 4.1. Three clarifications; 4.2. Four examples; 5. Conclusion; 7: Perception of Absence as Value-Driven Perception; 1. Introduction; 2. Values and Absences; 3. From Values to Absences: An Argument from Salience; 3.1. The argument 
650 0 |a Perception (Philosophy) 
650 0 |a Values. 
650 0 |a Judgment (Ethics) 
650 6 |a Perception (Philosophie) 
650 6 |a Jugement (Morale) 
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650 7 |a Values  |2 fast 
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650 7 |a Aesthetics  |2 fast 
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650 7 |a Perception (Philosophy)  |2 fast 
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700 1 |a Bergqvist, Anna,  |e editor.  |1 https://id.oclc.org/worldcat/entity/E39PCjK3CvxGcJgt6Qmd7X6G6q 
700 1 |a Cowan, Robert,  |d 1971-  |e editor.  |1 https://id.oclc.org/worldcat/entity/E39PCjDfHbtVxdgbpj6T7Qbjmd 
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