Table of Contents:
  • Toward Josquin's style. Methodological minefields ; An obsessive compositional personality
  • Surveying the soundscape : the Cappella Sistina, ca. 1480-ca. 1500. The repertory ; The lingua franca ; A maximalist musical mind : Marbrianus de Orto
  • Josquin's Roman music in context ; Super voces musicales and the L'homme armé tradition ; Intersections and borrowings.