Strange country : modernity and nationhood in Irish writing since 1790 /
This book traces the emergence of a self-consciously national tradition in Irish writing from the era of the French Revolution and, specifically, from Edmund Burke's counter-revolutionary writings. From Gerald Griffin's The Collegians, to Bram Stoker's Dracula, from James Hardiman...
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| Format: | eBook |
| Language: | English |
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Oxford : New York :
Clarendon Press ; Oxford University Press,
1997.
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| Series: | Clarendon lectures in English literature ;
1995. |
| Subjects: | |
| Online Access: | Connect to the full text of this electronic book |
| Summary: | This book traces the emergence of a self-consciously national tradition in Irish writing from the era of the French Revolution and, specifically, from Edmund Burke's counter-revolutionary writings. From Gerald Griffin's The Collegians, to Bram Stoker's Dracula, from James Hardiman's Irish Minstrelsy to Synge, Yeats, and Joyce, Irish writing is dominated by a number of inherited issues - those of national character, of conflict between discipline and excess, of division between the languages of economics and sensibility, of modernity and backwardness. Almost all the activities of Irish print culture - its novels, songs, historical analyses, typefaces, poems - take place within the limits imposed by this complex inheritance. In the process, Ireland created a national literature that was also a colonial one. This was and is an achievement that is only now being fully recognised. |
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| Physical Description: | 1 online resource (269 pages) |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliography: | Includes bibliographical references (pages 235-258) and index. |
| ISBN: | 9780191674389 0191674389 9780198184904 0198184905 |