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|a 556968830
|a 646215107
|a 1109019981
|a 1256338465
|a 1294572478
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|a (OCoLC)539413125
|z (OCoLC)556968830
|z (OCoLC)646215107
|z (OCoLC)1109019981
|z (OCoLC)1256338465
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1 |
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|a Bakola, Emmanuela.
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| 245 |
1 |
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|a Cratinus and the art of comedy /
|c Emmanuela Bakola.
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| 260 |
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|a Oxford ;
|a New York :
|b Oxford University Press,
|c ©2010.
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| 300 |
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|a 1 online resource (xiv, 380 pages, 4 unnumbered pages of plates) :
|b illustrations
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
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|2 rdamedia
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| 338 |
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|a online resource
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|a Includes bibliographical references (pages 324-353) and index.
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|a Introduction -- 1. Poetic Persona and Poetic Voice in Cratinus' Comedy -- 2. Cratinus and the Satyr Play -- 3. Cratinus and Tragedy -- 4. Myth, Politics, and Drama: Elements of Plot-Composition in the Comedy of Cratinus -- 5. Production and Imagination -- Appendix 1. The Parabasis Proper of Cratinus' Dionysalexandros (POxy 663, ll. 6-9) -- Appendix 2. The Date of the Accusations against Phidias and his Trial -- Appendix 3. Papyrus fragments of Plutoi -- Appendix 4. Hypothesis to Dionysalexandros (POxy 663).
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|a Cratinus, one of the great lost poets of fifth-century Athenian comedy and a canonical author of the classical world, had a formative influence on the comic genre, including Aristophanes himself. In what is the first major monograph in the best part of a century devoted to this author, Emmanuela Bakola offers a modern, comprehensive overview of Cratinus and his position within the genre of Greek comedy using a methodologically innovative approach. Unlike traditional ways of addressing fragmentary drama, this book does not merely reconstruct plays or texts, but by drawing on a range of hermeneutic frameworks, it adopts a thematic approach which allows her to explore Cratinus' poetics. Major issues which this book addresses include the creation of a poetic persona within a performative tradition of vigorous interpoetic rivalry; comedy's interaction with lyric poetry, iambos, and the literary-critical debates reflected by these genres; the play with the boundaries of the comic genre and the interaction with satyr drama and tragedy, especially Aeschylus; the multiple levels of comic plot-construction and characterization; comedy's reflection on its immediate political, social, and intellectual context; stagecraft and dramaturgy; comedy and ritual. Whilst being firmly based on principles of rigorous textual analysis, philology, and papyrology, by taking a broad and diverse outlook this study offers not just an insight into Cratinus, but a way of opening up and enriching our understanding of fifth-century Athenian comedy in a dynamic evolving environment.
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| 588 |
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|a Print version record.
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| 546 |
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|a English.
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|a Cratinus,
|d -approximately 420 B.C.
|x Criticism and interpretation.
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| 600 |
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7 |
|a Cratinus,
|d -approximately 420 B.C.
|2 fast
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| 650 |
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|a Greek drama (Comedy)
|x History and criticism.
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| 650 |
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6 |
|a Comédie grecque
|x Histoire et critique.
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| 650 |
|
7 |
|a DRAMA
|x Ancient, Classical & Medieval.
|2 bisacsh
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| 650 |
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|a Greek drama (Comedy)
|2 fast
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| 655 |
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7 |
|a Electronic books.
|2 local
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| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
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| 758 |
|
|
|i has work:
|a Cratinus and the art of comedy (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGVkgrpGgQQVwDfBgcdfMd
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|a Bakola, Emmanuela.
|t Cratinus and the art of comedy.
|d Oxford : Oxford University Press, ©2010
|z 9780199569359
|w (OCoLC)501390211
|
| 856 |
4 |
0 |
|u http://proxy.library.tamu.edu/login?url=https://academic.oup.com/book/284
|z Connect to the full text of this electronic book
|t 0
|
| 955 |
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|a Oxford Scholarship Online
|
| 994 |
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|a 92
|b TXA
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|t 0
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| 952 |
f |
f |
|a Texas A&M University
|b College Station
|c Electronic Resources
|s www_evans
|d Available Online
|t 0
|e PA3948.C84 B35 2010eb
|h Library of Congress classification
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| 998 |
f |
f |
|a PA3948.C84 B35 2010eb
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|l Available Online
|