Musical symbolism in the operas of Debussy and Bartók : trauma, gender, and the unfolding of the unconscious /
The authors explore the means by which two early 20th-century operas - Debussy's 'Pelléas et Mélisande' (1902) and Bartók's 'Duke Bluebeard's Castle' (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical languag...
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| Format: | eBook |
| Language: | English |
| Language Notes: | English. |
| Published: |
Oxford ; New York :
Oxford University Press,
2004.
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| Online Access: | Connect to the full text of this electronic book |
| Summary: | The authors explore the means by which two early 20th-century operas - Debussy's 'Pelléas et Mélisande' (1902) and Bartók's 'Duke Bluebeard's Castle' (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language. |
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| Physical Description: | 1 online resource (xiv, 346 pages) : illustrations |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliography: | Includes bibliographical references (pages 331-340) and index. |
| ISBN: | 1423726316 9781423726319 9780195103830 0195103831 1280452501 9781280452505 9786610452507 6610452504 0195355954 9780195355956 1602561095 9781602561090 9780199868865 0199868867 |