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00000cam a2200000 i 4500 |
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20260318165729.9 |
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m o d |
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230715t20232023enka ob 001 0 eng d |
| 040 |
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|a EBLCP
|b eng
|e rda
|e pn
|c EBLCP
|d YDX
|d OCLCQ
|d MVS
|d UAB
|d GZM
|d CDS
|d SFB
|d OCLCF
|d OCLCO
|d UKAHL
|d N$T
|d IUL
|d CLOUD
|d OCLCO
|d UKKRT
|d OCLCQ
|d OCLCL
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| 019 |
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|a 1390116151
|a 1399263411
|a 1405984468
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| 020 |
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|a 9780191926457
|q (electronic book)
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| 020 |
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|a 0191926450
|q (electronic book)
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| 020 |
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|a 9780192657473
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| 020 |
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|a 019265747X
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| 020 |
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|a 9780192657466
|q (electronic bk.)
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| 020 |
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|a 0192657461
|q (electronic bk.)
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| 020 |
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|z 019284377X
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| 020 |
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|z 9780192843777
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| 035 |
|
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|a (OCoLC)1390562463
|z (OCoLC)1390116151
|z (OCoLC)1399263411
|z (OCoLC)1405984468
|
| 050 |
|
4 |
|a PN56.S47
|b L58 2023
|
| 082 |
0 |
4 |
|a 809.93353
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| 049 |
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|a TXAM
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| 245 |
0 |
0 |
|a Literature and the senses /
|c edited by Annette Kern-Stähler, Elizabeth Robertson.
|
| 264 |
|
1 |
|a Oxford :
|b Oxford University Press,
|c [2023]
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| 264 |
|
4 |
|c ©2023
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| 300 |
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|a 1 online resource (xix, 519 pages) :
|b illustrations
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
1 |
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|a Oxford twenty-first century approaches to literature series
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| 588 |
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|a Description based on online resource; title from home page (Oxford Academic, viewed on October 29, 2024).
|
| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
0 |
|t Literature and the senses: an introduction /
|r Annette Kern-Stähler and Elizabeth Robertson --
|t Looking at faces: Geoffrey Chaucer, Hilary Mantel, and Alexis Wright /
|r Stephanie Trigg --
|t Visualizing the unseen in the Victorian ghost story /
|r Zoë Lehmann Imfeld --
|t Descent, spirit, heart, senses /
|r Sue Zemka --
|t Partial sight, dependency, and open poetic form: a creative practice /
|r Nuala Watt --
|t 'A lowde voys clepyng': voice-hearing, revelation, and imagination /
|r Corinne Saunders --
|t Attending to sound in early modern literature: Whythorne, Butler, and Bacon /
|r Simon Jackson --
|t acoustics, echoes, and whispering galleries in Romantic literature /
|r Stacey Mcdowell --
|t The roar on the other side of silence: sound, hearing, and social change in Victorian literature /
|r Anne-Julia Zwierlein --
|t A poetics of silence: deafness, poetics, and the fate of the senses /
|r Michael Davidson --
|t Festering lilies: seeing and smelling gender and race in Renaissance art and poetry /
|r Holly Dugan --
|t Bartholomew Fair's olfactory cross-mappings: smell, place, memory /
|r Isabel Karremann --
|t A sanitary sense of smell: olfaction and bodily boundaries in Victorian writing /
|r Ursula Kluwick --
|t Olfactory futures in Bipoc speculative fiction /
|r Hsuan L. Hsu --
|t Reading 'ful savourly': taste and good taste in later medieval English literature /
|r Mary C. Flannery --
|t Tastelessness: lack and loss of Savour in the medieval poetic imagination /
|r Jamie C. Fumo --
|t A taste of 'sweet music': writing (through) the senses in early modern England /
|r Simon Smith --
|t Tasting with words in Ben Okri's The Famished Road and Chimamanda Ngozi Adichie's Half of a Yellow Sun /
|r Vanessa Guignery --
|t The taste of revolution /
|r Zoë Skoulding --
|t Contact, conduct, and tactile networks: touch and its social functions in Middle English verse romance /
|r Hannah Piercy --
|t Touch and the sensible in the Play of Mary Magdalene /
|r Mark Amsler --
|t Histories of the human hand: Huxley and Isherwood's Jacob's Hands and Modernist manual culture /
|r Abbie Garrington --
|t Touching wounds: violence and the art of 'feeling' /
|r Santanu Das --
|t Sensology and Enargeia /
|r Richard G. Newhauser --
|t Bearing the word: speech scrolls, touch, and the Carthusian Miscellany /
|r Sarah Stanbury --
|t Multisensory entanglements in Edwidge Danticat's Claire of the Sea Light and Chimamanda Ngozi Adichie's Purple Hibiscus /
|r Mirja Lobnik --
|t Salt taste of the sea: the multisensorial beach in Kate Chopin's The Awakening and Charles Simmons's Salt Water /
|r Virginia Richter.
|
| 520 |
|
|
|a "Literature and the Senses critically probes the role of literature in capturing and scrutinizing sensory perception. Organized around the five traditional senses, followed by a section on multisensoriality, the collection facilitates a dialogue between scholars working on literature written from the Middle Ages to the present day. The contributors engage with a variety of theorists from Maurice Merleau-Ponty to Michel Serres to Jean-Luc Nancy to foreground the distinctive means by which literary texts engage with, open up, or make uncertain dominant views of the nature of perception. Considering the ways in which literary texts intersect with and diverge from scientific, epistemological, and philosophical perspectives, these essays explore a wide variety of literary moments of sensation including the interspecies exchange of a look between a swan and a young Indigenous Australian girl; the sound of bees as captured in an early modern poem; the noxious smell of the ‘Great Stink' that recurs in the Victorian novel; the taste of an aubergine registered in a poetic performance; tactile gestures in medieval romance; and the representation of a world in which the interdependence of human beings with the purple hibiscus plant is experienced through all five senses. The collection builds upon and breaks new ground in the field of sensory studies, focusing on what makes literature especially suitable to engaging with, contributing to, and challenging our perennial understandings of the senses"--Publisher's description.
|
| 650 |
|
0 |
|a Senses and sensation in literature.
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| 650 |
|
6 |
|a Sens et sensations dans la littérature.
|
| 650 |
|
7 |
|a LITERARY CRITICISM.
|2 bisacsh
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| 650 |
|
7 |
|a Renaissance.
|2 bisacsh
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| 650 |
|
7 |
|a Mind and body in literature
|2 fast
|
| 650 |
|
7 |
|a Psychology and literature
|2 fast
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| 650 |
|
7 |
|a Self in literature
|2 fast
|
| 650 |
|
7 |
|a Literature: history & criticism.
|2 thema
|
| 650 |
|
7 |
|a Literature.
|2 ukslc
|
| 655 |
|
7 |
|a Electronic books.
|2 local
|
| 700 |
1 |
|
|a Kern-Stähler, Annette,
|d 1971-
|e editor.
|1 https://id.oclc.org/worldcat/entity/E39PBJvXhgdyPBHYcb7mggTWDq
|
| 700 |
1 |
|
|a Robertson, Elizabeth Ann,
|d 1951-
|e editor.
|1 https://id.oclc.org/worldcat/entity/E39PCjHtRcPjdR7cmYmjtmGvHC
|
| 776 |
0 |
8 |
|i Print version:
|t Literature and the senses.
|d Oxford : Oxford University Press, [2023]
|z 9780192843777
|w (OCoLC)1398627258
|
| 830 |
|
0 |
|a Oxford twenty-first century approaches to literature.
|
| 856 |
4 |
0 |
|u http://proxy.library.tamu.edu/login?url=https://academic.oup.com/book/46854
|z Connect to the full text of this electronic book
|t 0
|
| 955 |
|
|
|a Oxford Scholarship Online
|
| 955 |
|
|
|a Oxford University Press Open Access ebooks
|
| 994 |
|
|
|a 92
|b TXA
|
| 999 |
f |
f |
|i 788d2953-6d82-4d15-a845-8c6b6c40e963
|s 9e5e674a-5538-46c0-aad3-4d2e07bf3768
|t 0
|
| 952 |
f |
f |
|a Texas A&M University
|b College Station
|c Electronic Resources
|s www_evans
|d Available Online
|t 0
|e PN56.S47 L58 2023
|h Library of Congress classification
|
| 998 |
f |
f |
|a PN56.S47 L58 2023
|t 0
|l Available Online
|