Camp TV of the 1960s : reassessing the vast wasteland /
"Camp TV of the 1960s offers a comprehensive understanding of all of the many forms camp TV took during that critical decade. In reevaluating the history of camp on television, the authors reconsider the infantilized conceptualization of sixties television, which has generally been characterize...
| Other Authors: | , |
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| Format: | eBook |
| Language: | English |
| Published: |
New York, NY :
Oxford University Press,
[2023]
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| Subjects: | |
| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- Gilligan and Captain Kirk have more in common than you think: 1960s camp TV as an alternative genealogy for cult television / Isabel C. Pinedo and W. D. Phillips
- Fractured Flickers (1963-64), camp, and cinema's ab/usable past / Andrea Cominskey and Jonah Horwitz
- Wearing French cuffs to a gunfight: camp and violence in Hanna-Barber'as Snagglepuss (1961) / Emily Hoffman
- They're creepy and they're campy: camping the American family on 1960s horror television / Jamie Hook
- Spellcasting camp: Bewitched (1964-72) / Andrew J. Owens
- How the West was fun: F Troop (1965-67) and the American frontier / Cynthia J. Miller
- "Holy fruit salad, Batman!": unmasking queer conceits of ABC's late-1960s branding / Benjamin Kruger-Robbins
- "We're being passed off as something we aren't": authenticity versus camp on The Monkees (1966-68) / Dan Amernick
- Straight male spies, queer camp vistas: the evolution of non-normative masculinities in The Avengers (1961-69) and 1960s British spy-fi TV / Craig Haslop and Douglas McNaughton
- Can TV music be camp? Notes from the 1960s / Reba A. Wissner
- Flippers (1964-67) dark camp / Nicholas C. Morgan
- Camp TV, The Beverly Hillbillies (1962-71), and Flip Wilson's (1970-74) Geraldine Jones: negativity, trans gender queer, and the comedy of manners / Ken Feil
- "Far right, far left, and far out": mainstreaming camp on American television / Moya Luckett
- Afterword: questions of taste and pre-cult/post-cult / Matt Hills.