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The motet in the late Middle Ages /

"The book ranges widely over French, English and Italian motets, mostly between the 1310s and the 1420s. About half the chapters are previously unpublished, the remainder revised to varying degrees from previous publications and now organised into Parts devoted to compositional techniques, Fauv...

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Bibliographic Details
Main Author: Bent, Margaret (Author)
Format: eBook
Language:English
Published: New York : Oxford University Press, [2023]
Subjects:
Motets > 500-1400 > History and criticism.
Motets > 14th century > History and criticism.
Motets > 500-1400 > Histoire et critique.
Motets > 14e siècle > Histoire et critique.
MUSIC.
History & Criticism.
Motets
Music.
500-1400
Electronic books.
Criticism, interpretation, etc.
Online Access:Connect to the full text of this electronic book
Table of Contents:
  • Cover
  • The Motet in the Late Middle Ages
  • Copyright
  • Dedication
  • Contents
  • Preface and Acknowledgements
  • About the Companion Website
  • List of Illustrations
  • List of Tables
  • List of Music Examples
  • List of Sound Clips
  • List of Manuscripts
  • Other Abbreviations
  • Introduction
  • PART I. COMPOSITIONAL TECHNIQUES 15
  • 1. Theoretical and Terminological Issues
  • 2. What is Isorhythm?
  • PART II. THE MARIGNY MOTETS, BEYOND FAUVEL, AND VITRY 65
  • 3. Fauvel and Marigny: Which Came First?
  • 4. Tribum que non abhorruit/​Quoniam secta latronum/​Merito hec patimur and its 'Quotations', and Garrit gallus/​In nova
  • Appendix: Commentary to Tribum/​Quoniam
  • Commentary to Garrit/​In nova
  • 5. Aman novi/​Heu Fortuna/​Heu me
  • 6. Floret/​Florens: Intended for Fauvel?
  • 7. Related Manuscripts, Related Motets
  • Vitry
  • 8. Vos quid admiramini/​Gratissima virginis species/​Gaude gloriosa
  • PART III. MACHAUT 169
  • 9. Words and Music in Machaut's Motet 9
  • 10. Deception, Exegesis and Sounding Number in Machaut's Motet 15
  • 11. The 'Harmony' of the Machaut Mass
  • 12. Machaut's Motet 10 and its Interconnections
  • 13. Motet 18: Bone pastor Guillerme/​Bone pastor, qui pastores/​Bone pastor
  • 14. Text-​Music Relationships in Motets 4 and 8
  • PART IV. MUSICORUM COLLEGIUM: THE MUSICIAN MOTETS 281
  • 15. Apollinis eclipsatur, its Progeny and their Sources
  • 16. Apollinis eclipsatur/​Zodiacum signis/​In omnem terram and Later Versions with Added Parts
  • Appendix: Commentaries to Web Transcriptions for the Pieces with Multiple Sources
  • 17. Musicalis sciencia/​Sciencie laudabili and the Musicians Named in Apollinis and Musicalis
  • 18. Musicorum collegio/​In templo Dei/​Avete
  • 19. Alma polis religio/​Axe poli cum artica/​[Et] in ore eorum and its Named Musicians
  • Appendix: Commentary Notes to Example 19.1, Alma polis religio/​Axe poli cum artica/​[Et] in ore eorum
  • 20. Sub arturo plebs/​Fons citharizancium/​In omnem terram and its Musicians
  • Appendix: Variants in Sub Arturo plebs/​Fons citharizancium/​In omnem terram
  • 21. Fragmentary Motets and Other Possibly Linked Compositions
  • PART V. ENGLISH MOTETS C. 1400-​1420 399
  • 22. The Yoxford Manuscript and the Motet O amicus/​Precursoris
  • Appendix: Musical Transcription of O amicus/​Precursoris (Ex. 22.1), with Musical and Textual Commentary
  • 23. The Yoxford Credo
  • Appendix: Notes to Credo Transcription (Ex. 23.1)
  • 24. Mayshuet and the Deo gratias Motets in the Old Hall Manuscript
  • 25. Old Hall, the Agincourt Motets, and Dunstaple
  • PART VI. ITALIAN MOTETS 495
  • 26. The Fourteenth-​Century Italian Motet
  • 27. The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis
  • 28. The Motets of Johannes Ciconia