http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
1 online resource (xiv, 677 pages) : illustrations (some colour).
When the Swedish concert singer Jenny Lind toured the U.S. in 1850, she became the prototype for the modern pop star. Meanwhile, her manager, P.T. Barnum, became the prototype for another figure of enduring significance: the pop culture impresario. Starting with Lind's fabled U.S. tour and winding all the way into the 21st century, this book surveys the ongoing impact and changing conditions of live music performance in the U.S. It covers a range of historic performances, from the Fisk Jubilee Singers expanding the sphere of African American music in the 1870s, to Benny Goodman bringing swing to Carnegie Hall in 1938, to 1952's Moondog Coronation Ball in Cleveland - arguably the first rock and roll concert - to Beyoncé's boundary-shattering performance at the 2018 Coachella festival.
Introduction: Toward a history of liveness -- Selling the nightingale : Jenny Lind, P.T. Barnum, and the management of the American crowd -- Staging the spiritual : the Fisk Jubilee Singers and the postbellum public sphere -- Economies of performance : Tony Pastor, Ernest Hogan, and the emergence of vaudeville -- Remaking liveness : the social geography of early jazz -- Culture high and low : reinventing concert music -- The perfect package : rock 'n' roll concerts in the 1950s -- Crowds, chaos, and community : music festivals from Newport to New Orleans -- The politics of scale : arenas, stadiums, and the industrialization of liveness -- Staging hip-hop : race, rap, and the remapping of musical performance -- Conclusion: A homecoming.
Includes bibliographical references and index.
New York, NY : Oxford University Press, 2022