rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    title: Live music in America
    sub title: a history from Jenny Lind to Beyoncé
  name:
    name part: Waksman, Steve
    role:
      role term: creator
    role:
      role term: author.
  type of resource: text
  genre: bibliography
  genre: Electronic books.
  genre: Criticism, interpretation, etc.
  origin info:
    place:
      place term: nyu
    date issued: 2022
    copyright date: 2022
    issuance: monographic
  language:
    language term: eng
  physical description:
    form: remote
    extent: 1 online resource (xiv, 677 pages) : illustrations (some colour).
  abstract: When the Swedish concert singer Jenny Lind toured the U.S. in 1850, she became the prototype for the modern pop star. Meanwhile, her manager, P.T. Barnum, became the prototype for another figure of enduring significance: the pop culture impresario. Starting with Lind's fabled U.S. tour and winding all the way into the 21st century, this book surveys the ongoing impact and changing conditions of live music performance in the U.S. It covers a range of historic performances, from the Fisk Jubilee Singers expanding the sphere of African American music in the 1870s, to Benny Goodman bringing swing to Carnegie Hall in 1938, to 1952's Moondog Coronation Ball in Cleveland - arguably the first rock and roll concert - to Beyoncé's boundary-shattering performance at the 2018 Coachella festival.
  table of contents: Introduction: Toward a history of liveness -- Selling the nightingale : Jenny Lind, P.T. Barnum, and the management of the American crowd -- Staging the spiritual : the Fisk Jubilee Singers and the postbellum public sphere -- Economies of performance : Tony Pastor, Ernest Hogan, and the emergence of vaudeville -- Remaking liveness : the social geography of early jazz -- Culture high and low : reinventing concert music -- The perfect package : rock 'n' roll concerts in the 1950s -- Crowds, chaos, and community : music festivals from Newport to New Orleans -- The politics of scale : arenas, stadiums, and the industrialization of liveness -- Staging hip-hop : race, rap, and the remapping of musical performance -- Conclusion: A homecoming.
  target audience: specialized
  note: Steve Waksman.
  note: Also issued in print: 2022.
  note: Includes bibliographical references and index.
  subject:
    geographic code: n-us---
  subject:
    topic: Popular music
    geographic: United States
    topic: History and criticism
  subject:
    topic: Music
    topic: Performance
    geographic: United States
  subject:
    topic: Musique populaire
    geographic: États-Unis
    topic: Histoire et critique
  subject:
    topic: Musique
    topic: Exécution
    geographic: États-Unis
  subject:
    topic: Social History
  subject:
    topic: HISTORY
  subject:
    topic: Business Aspects
  subject:
    topic: MUSIC
  subject:
    topic: History & Criticism
  subject:
    topic: Genres & Styles
  subject:
    topic: Music
    topic: Performance
  subject:
    topic: Popular music
  subject:
    geographic: United States
  classification: ML200 .W35 2022
  classification: 781.640973
  related item:
    title info:
      title: Live music in America
    name:
      name part: Waksman, Steve.
    origin info:
      publisher: New York, NY : Oxford University Press, 2022
    identifier: (OCoLC)1285873639
  related item:
    identifier: (DLC) 2023567063
  identifier: 9780197570579
  identifier: 0197570577
  identifier: 9780197570555
  identifier: 0197570550
  identifier: 9780197570548
  identifier: 9780197570531
  identifier: 0197570534
  identifier: 0197570542
  identifier: 9780197570562
  identifier: 0197570569
  identifier: http://proxy.library.tamu.edu/login
  record info:
    record content source: STBDS
    record creation date: 220510
    record change date: 20260318164328.4
    record identifier: in00005697117
    language of cataloging:
      language term: eng