Table of Contents:
  • Introduction: Quem quaeritis? Queerness in Early English Drama
  • Part One: Queer Theories and Themes of Early English Drama : A Subjunctive Theory of Dramatic Queerness
  • Themes of Friendship and Sodomy
  • Part Two: Queer Readings of Early English Drama : Performative Typology, Jewish Genders, and Jesus's Queer Romance in the York Corpus Christi Plays
  • Excremental Desire, Queer Allegory, and the Disidentified Audience of Mankind
  • Sodomy, Chastity, and Queer Historiography in John Bale's Interludes
  • Camp and the Hermaphroditic Gaze in Sir David Lyndsay's Ane Satyre of the Thrie Estaitis
  • Conclusion: Terrence McNally's Corpus Christi and the Queer Legacy of Early English Drama.