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Bildforschung Bei Harun Farocki und Jean-Luc Godard
Volker Pantenburg's work explores the theoretical aspects of film studies through the lens of influential filmmakers Harun Farocki and Jean-Luc Godard. It examines film as a medium of thought and analysis, delving into the intersection of image creation, montage, and the political and cultural impact of cinema. The book provides insights into the unique approaches both directors employed in their films, addressing themes such as consumer society, visual representation, and historical context. It is intended for readers interested in film theory, visual studies, and the political dimensions of cinema.
Cover -- Inhalt -- Einleitung -- I. Le Film qui pense -- II. Die Kamera als Pinsel -- Film und Malerei -- III. Abweichung als Norm -- Anmerkungen zum Essayfilm -- IV. Cut -- Zwischenspiel im Schneideraum -- V. Taking Pictures -- Fotografie und Film -- VI. Zwei oder drei Möglichkeiten, mit den Händen zu sprechen -- Schlussbemerkung -- Anhang
Description based upon print version of record.