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| LEADER |
00000cam a2200000 i 4500 |
| 001 |
in00005678421 |
| 003 |
OCoLC |
| 005 |
20260225193448.4 |
| 008 |
250917t20252025msuc b 001 0 eng |
| 010 |
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|a 2025041539
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| 040 |
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|a DLC
|e rda
|c DLC
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| 020 |
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|a 9781496860385
|q hardcover
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| 020 |
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|a 1496860381
|q hardcover
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| 020 |
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|a 9781496860392
|q trade paperback
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| 020 |
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|a 149686039X
|q trade paperback
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| 020 |
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|z 9781496860408
|q electronic publication
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| 020 |
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|z 9781496860415
|q electronic publication
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| 020 |
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|z 9781496860422
|q electronic book
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| 020 |
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|z 9781496860439
|q electronic book
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| 035 |
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|a (OCoLC)1511413850
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| 050 |
0 |
0 |
|a PS3525.A24785
|b Z876 2025
|
| 082 |
0 |
0 |
|a 811/.5209
|2 23/eng/20260121
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| 100 |
1 |
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|a Scruggs, Charles,
|e author.
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| 245 |
1 |
0 |
|a Real and imagined worlds :
|b Claude McKay's poetry and prose /
|c Charles Scruggs.
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| 264 |
|
1 |
|a Jackson :
|b University Press of Mississippi,
|c [2025].
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| 264 |
|
4 |
|c ©2025.
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| 300 |
|
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|a 203 pages :
|b portrait ;
|c 24 cm.
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| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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| 520 |
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|a Claude McKay (1890-1948) was a versatile Jamaican American writer and poet and a central figure in the Harlem Renaissance. In addition to two autobiographies and a documentary study of Harlem, McKay wrote poetry, novels (Home to Harlem, Banana Bottom, Banjo, Harlem Glory, Amiable with Big Teeth, the latter portraying a dystopia that foreshadows Orwell), the short story collection Gingertown, and a screenplay disguised as a novel, Romance in Marseille. McKay was deeply influenced by various literary and artistic sources that shaped his poetry and prose. As an artist, he saw himself as a "classicist," but his favorite poet was John Keats, the acclaimed Romantic. The books he read in the library of his mentor Walter Jekyll were primarily Victorian and had a profound influence on him. However, the artists he encountered after he left Jamaica were mostly all modernists, Charlie Chaplin, D. H. Lawrence, James Joyce, Marcel Proust and Ernest Hemingway. Popular culture also inspired him, especially the cinematic traditions of both Hollywood and Europe. These dual influences reflected his complicated intellectual and artistic life. Real and Imagined Worlds in Claude McKay's Poetry and Prose attempts to make sense of the poet's deep engagement with the literary and artistic influences that inspired his own writing.
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| 600 |
1 |
0 |
|a McKay, Claude,
|d 1890-1948
|x Criticism and interpretation.
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| 945 |
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|b 624384
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| 947 |
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|a A14852305797
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| 948 |
|
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|a dmitchel 2/25/26 1.30.20
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| 980 |
|
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|b print
|c 40033061028
|f NONFIC/B
|g 565714
|k USD
|m 113.85
|q 1
|s AcqMono Conventional
|t Approval plan
|u Vendor order reference number
|v ZYBP
|y Print approval
|z Physical resource
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| 999 |
f |
f |
|i 8124af30-5d3b-41f4-84cf-7968719f5f0a
|s 186c0540-27b2-4f08-8366-b65c6f8aa4d2
|t 0
|
| 952 |
f |
f |
|p normal
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|s Evans stk
|d Evans: Library Stacks
|t 0
|e PS3525.A24785 Z876 2025
|h Library of Congress classification
|i unmediated -- volume
|m A14852305797
|
| 998 |
f |
f |
|a PS3525.A24785 Z876 2025
|t 0
|l Evans: Library Stacks
|