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First Indicator |
Second Indicator |
Subfields |
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
in00005669021 |
| 008 |
250126s2025 bcca bc 000 0 eng |
| 005 |
20251108171029.7 |
| 035 |
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|a (OCoLC)on1484905214
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| 040 |
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|a NLC
|b eng
|e rda
|c YDX
|d BDX
|d OCLCO
|d OCLCQ
|d NLC
|d OCLCO
|d OCLCL
|d OCLCO
|d IG#
|d OTP
|d OCLCO
|d NLC
|d YDX
|
| 020 |
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|a 9781773272276
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| 020 |
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|a 1773272276
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| 035 |
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|a (OCoLC)1484905214
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| 042 |
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|a lac
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| 043 |
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|a n-cn-bc
|
| 050 |
|
4 |
|a E99.H2
|b A13 2025
|
| 055 |
|
0 |
|a E99.H2
|b A13 2025
|
| 082 |
0 |
4 |
|a 704.03/9728
|q CaOONL
|2 23/eng/20250717
|
| 084 |
|
|
|a cci1icc
|2 lacc
|
| 245 |
0 |
0 |
|a 7IDANsuu James Hart :
|b a monumental practice /
|c James Hart & Curtis Collins.
|
| 246 |
3 |
0 |
|a James Hart :
|b a monumental practice
|
| 246 |
3 |
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|a Monumental practice
|
| 264 |
|
1 |
|a Whistler, BC :
|b Audain Art Museum ;
|a Vancouver ;
|a Toronto ;
|a Berkeley :
|b Figure.1,
|c [2025]
|
| 300 |
|
|
|a 229 pages :
|b illustrations (chiefly color) ;
|c 30 cm
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
|
| 336 |
|
|
|a still image
|b sti
|2 rdacontent
|
| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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| 338 |
|
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references.
|
| 505 |
0 |
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|a Foreword / Michael Audain -- Coming into the world / Wade Davis -- Early days / 7IDANsuu James Hart -- A monumental practice / Curtis Collins -- Afterword / Gwaliga Hart.
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| 520 |
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|a "Hart has achieved national prominence and international acclaim for his towering poles, stately cedar sculptures, and massive bronzes--monumental works that extend the long continuum of Haida visual traditions into powerful new forms. Since his early days assisting Robert Davidson and Bill Reid, through his reproductions of historical Haida poles and his carving of original house front, story, and memorial poles for private commissions and clan-based contexts in Haida Gwaii and beyond, he has developed an innovative practice rooted in tradition, and widely celebrated: thousands of people gathered to witness the raising and activation of his Reconciliation Pole; his Three Watchmen bronzes overlook the Audain Art Museum, National Gallery of Canada and the Plains of Abraham; and The Dance Screen (The Scream Too) in Whistler is considered a once-in-a-generation sculptural masterpiece. This, the first publication devoted to Hart, is both a survey of his major career achievements and a document of an impossible-to-assemble exhibition. Alongside hundreds of photos of nineteen monumental works and associated smaller carvings and bronzes scattered across North America and Europe, and drawing on over two years of interviews with the artist, Curtis Collins illustrates how key animal and supernatural figures reappear across scales and mediums, from jewellery to sixty-foot poles (the "backbone" of his practice), and speaks to the associated activation ceremonies as integral to Haida monumental art. Wade Davis considers Hart's expressions of Haida resilience within the people's long history, from time immemorial to the nation's present-day efforts towards national sovereignty; Gwaliga Hart offers a personal perspective on his father's work; and in an autobiographical essay the artist himself reflects on his life, and his life's work."--
|c Provided by publisher.
|
| 600 |
1 |
0 |
|a Hart, James,
|d 1952-
|
| 650 |
|
0 |
|a Haida art
|z British Columbia
|z Haida Gwaii.
|
| 650 |
|
0 |
|a Haida sculpture
|z British Columbia
|z Haida Gwaii.
|
| 650 |
|
0 |
|a Haida artists
|z British Columbia
|z Haida Gwaii.
|
| 650 |
|
6 |
|a Art haida
|0 (CaQQLa)201-0261132
|z Colombie-Britannique
|0 (CaQQLa)201-0449052
|z Haida Gwaii.
|0 (CaQQLa)201-0449052
|
| 650 |
|
6 |
|a Sculpture haida
|0 (CaQQLa)201-0264638
|z Colombie-Britannique
|0 (CaQQLa)201-0449052
|z Haida Gwaii.
|0 (CaQQLa)201-0449052
|
| 650 |
|
6 |
|a Artistes haida
|0 (CaQQLa)201-0264738
|z Colombie-Britannique
|0 (CaQQLa)201-0449052
|z Haida Gwaii.
|0 (CaQQLa)201-0449052
|
| 655 |
|
7 |
|a catalogs (documents)
|2 aat
|0 (CStmoGRI)aatgf300026059
|
| 655 |
|
7 |
|a Catalogs.
|2 lcgft
|
| 655 |
|
7 |
|a Catalogues.
|2 rvmgf
|0 (CaQQLa)RVMGF-000000502
|
| 700 |
1 |
2 |
|i Container of (work):
|a Hart, James,
|d 1952-
|t Works.
|k Selections.
|
| 700 |
1 |
2 |
|i Container of (work):
|a Davis, Wade.
|t Coming into the world.
|
| 700 |
1 |
2 |
|i Container of (work):
|a Collins, Curtis Joseph,
|d 1962-
|t Monumental practice.
|
| 700 |
1 |
|
|a Audain, Michael,
|e writer of foreword
|1 https://id.oclc.org/worldcat/entity/E39PCjCcwBvfj7ttkdfWC7G3FC
|
| 710 |
2 |
|
|a Audain Art Museum,
|e publisher.
|1 https://id.oclc.org/worldcat/entity/E39QH7JmpmhphxFXFVGt6QwvTR
|
| 852 |
8 |
|
|b POD
|z This title is available for the library to purchase for your use. Click the "Purchase It For Me" button to place a request. This item will take 5-10 business days to arrive.
|
| 955 |
|
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|a Print PDA title
|
| 961 |
|
|
|m 565730
|
| 999 |
f |
f |
|s d908b418-f2ee-4a1f-b2d2-1adbc9130f80
|i 1e791c6a-33e7-448e-9d60-8b6087853005
|t 0
|
| 952 |
f |
f |
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Purchase on Demand
|t 0
|e E99.H2 A13 2025
|h Library of Congress classification
|
| 998 |
f |
f |
|a E99.H2 A13 2025
|t 0
|l Purchase on Demand
|