Of Spaces and Ideas The Novels of Jim Crace and Simon Mawer.

Bibliographic Details
Main Author: Chalupský, Petr
Other Authors: Topolovská, Tereza
Format: Electronic eBook
Language:English
Published: Prague : Karolinum Press, 2024.
Subjects:
Online Access:Connect to the full text of this electronic book
Table of Contents:
  • Cover
  • Contents
  • Introduction
  • 1. After the Spatial Turn
  • 1.1 Approaching Crace's and Mawer's Spatial Representations
  • 2. Jim Crace
  • 3. Imaginary Landscapes and Landscapes of the Imagination in Jim Crace's Continent and The Gift of Stones
  • 3.1 Continent
  • 3.1.1 Continent's Imaginary Landscapes
  • 3.1.2 Experiencing Spaces in Transition
  • 3.2 The Gift of Stones
  • 3.2.1 A Narrative Animal
  • 3.2.2 From Wild Plant to Raconteur
  • 3.2.3 A World That's Upside Down - the Landscapes of the Imagination
  • 3.2.4 Consolatory Spatial Narratives of Transition
  • 4. Character and Landscape Construction in Jim Crace's Signals of Distress and Quarantine
  • 4.1 Signals of Distress
  • 4.1.1 Of Words and Deeds: Aymer Smith
  • 4.1.2 Symbolic Topography
  • Landscapes of Distress
  • 4.1.3 The Old, the New, and the Unchanging
  • 4.2 Quarantine
  • 4.2.1 The Haggard, Incautious, and Rewarding Land of Quarantine
  • 4.2.2 The Landscape as a Moral Agent
  • 5. Jim Crace's Cityscape: Spatial Hybridisations, Transgressiveness, and Transmodern Critique in Arcadia (and The Melody)
  • 5.1 Arcadia
  • 5.1.1 The Urban Pastoral
  • 5.1.2 In Search of Hope: The Townies
  • 5.1.3 Agora vs. Arcadia
  • 5.1.4 Straightforward Complexity
  • 5.1.5 The Transmodern Paradigm Shift
  • 5.1.6 Transmodern and Transgressive Craceland
  • 5.1.7 Arcadia's Spatial Representations
  • 5.1.8 Arcadia's Transmodernist Critique
  • 5.1.9 Arcadia's Transmodern Spatio-temporality
  • 5.2 Transmodern Concerns and Transgressive Spatiality in The Melody
  • 6. Literary Cartography in Jim Crace's The Pesthouse and Harvest
  • 6.1 The Pesthouse
  • 6.1.1 The Heterogeneous Space of Crace's Imagined America
  • 6.1.2 The Volatile Real-and-Imagined Landscapes
  • 6.1.3 The Doomed Turned Blessed - Heterotopic Places
  • 6.1.4 Mapping the Landscape of Trauma, Pain, and Hope
  • 6.2 Harvest
  • 6.2.1 Delusive Idyll
  • 6.2.2 The Narrator
  • 6.2.3 Mapping and Being Mapped
  • 6.2.4 Cartography of Insecurity and Wonder
  • 7. Simon Mawer
  • 8. Chimera: Pioneering Simon Mawer's (Spatial) Poetics
  • 8.1 Liminality in Chimera
  • 8.2 Parallelism in Chimera
  • 8.3 Idiosyncratic Conception of Time in Chimera
  • 8.4 Thematisation of Archaeology
  • 8.5 Thematisation of Catholicism
  • 8.6 Place and Space in Chimera
  • 9. Thematising Science and the Region of Central Europe in Simon Mawer's Mendel's Dwarf
  • 9.1 Benedict Lambert
  • the Protagonist
  • 9.2 Thematisation of Science in Mendel's Dwarf
  • 9.3 The Space of Central Europe
  • 10. The Glass Room: Housing Space, Architecture, and History
  • 10.1 The Modernist Inspiration
  • 10.2 The Glass Room from the Perspective of Historical Fiction
  • 10.3 The Spatial Poetics of The Glass Room
  • 10.4 The Glass Room and the Ideals of Architectural Modernism
  • 11. Mapping the Liminal in Simon Mawer's Prague Spring
  • 11.1 A Slice of History