Of Spaces and Ideas The Novels of Jim Crace and Simon Mawer.
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Prague :
Karolinum Press,
2024.
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| Subjects: | |
| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- Cover
- Contents
- Introduction
- 1. After the Spatial Turn
- 1.1 Approaching Crace's and Mawer's Spatial Representations
- 2. Jim Crace
- 3. Imaginary Landscapes and Landscapes of the Imagination in Jim Crace's Continent and The Gift of Stones
- 3.1 Continent
- 3.1.1 Continent's Imaginary Landscapes
- 3.1.2 Experiencing Spaces in Transition
- 3.2 The Gift of Stones
- 3.2.1 A Narrative Animal
- 3.2.2 From Wild Plant to Raconteur
- 3.2.3 A World That's Upside Down - the Landscapes of the Imagination
- 3.2.4 Consolatory Spatial Narratives of Transition
- 4. Character and Landscape Construction in Jim Crace's Signals of Distress and Quarantine
- 4.1 Signals of Distress
- 4.1.1 Of Words and Deeds: Aymer Smith
- 4.1.2 Symbolic Topography
- Landscapes of Distress
- 4.1.3 The Old, the New, and the Unchanging
- 4.2 Quarantine
- 4.2.1 The Haggard, Incautious, and Rewarding Land of Quarantine
- 4.2.2 The Landscape as a Moral Agent
- 5. Jim Crace's Cityscape: Spatial Hybridisations, Transgressiveness, and Transmodern Critique in Arcadia (and The Melody)
- 5.1 Arcadia
- 5.1.1 The Urban Pastoral
- 5.1.2 In Search of Hope: The Townies
- 5.1.3 Agora vs. Arcadia
- 5.1.4 Straightforward Complexity
- 5.1.5 The Transmodern Paradigm Shift
- 5.1.6 Transmodern and Transgressive Craceland
- 5.1.7 Arcadia's Spatial Representations
- 5.1.8 Arcadia's Transmodernist Critique
- 5.1.9 Arcadia's Transmodern Spatio-temporality
- 5.2 Transmodern Concerns and Transgressive Spatiality in The Melody
- 6. Literary Cartography in Jim Crace's The Pesthouse and Harvest
- 6.1 The Pesthouse
- 6.1.1 The Heterogeneous Space of Crace's Imagined America
- 6.1.2 The Volatile Real-and-Imagined Landscapes
- 6.1.3 The Doomed Turned Blessed - Heterotopic Places
- 6.1.4 Mapping the Landscape of Trauma, Pain, and Hope
- 6.2 Harvest
- 6.2.1 Delusive Idyll
- 6.2.2 The Narrator
- 6.2.3 Mapping and Being Mapped
- 6.2.4 Cartography of Insecurity and Wonder
- 7. Simon Mawer
- 8. Chimera: Pioneering Simon Mawer's (Spatial) Poetics
- 8.1 Liminality in Chimera
- 8.2 Parallelism in Chimera
- 8.3 Idiosyncratic Conception of Time in Chimera
- 8.4 Thematisation of Archaeology
- 8.5 Thematisation of Catholicism
- 8.6 Place and Space in Chimera
- 9. Thematising Science and the Region of Central Europe in Simon Mawer's Mendel's Dwarf
- 9.1 Benedict Lambert
- the Protagonist
- 9.2 Thematisation of Science in Mendel's Dwarf
- 9.3 The Space of Central Europe
- 10. The Glass Room: Housing Space, Architecture, and History
- 10.1 The Modernist Inspiration
- 10.2 The Glass Room from the Perspective of Historical Fiction
- 10.3 The Spatial Poetics of The Glass Room
- 10.4 The Glass Room and the Ideals of Architectural Modernism
- 11. Mapping the Liminal in Simon Mawer's Prague Spring
- 11.1 A Slice of History