http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
Intellect handbook of popular music methodologies
xvii, 733 pages : illustrations, music ; 26 cm.
The Intellect Handbook of Popular Music Methodologies provides a comprehensive overview of methodological approaches within the field of popular music studies. Alongside contributions from key thinkers already established in popular music studies, the strength of the collection lies in its inclusion of many new and emerging writers in the field. Therefore, the collection incorporates a wide range of practitioners, pedagogues and academics from an extensive range of disciplines and thus drawing from a diversity of methodological approaches. These include those that are perhaps more established, such as semiotics, ethnography and psychology, alongside exciting new approaches within popular music, including eco-musicology, religion, intersectionality and archeology. Although previous books have provided an overall of concepts studied within popular music studies, this will be the first comprehensive handbook of popular music methodologies.
PART ONE: FOUNDATIONAL APPROACHES TOWARDS A MUSICOLOGY OF POPULAR MUSIC. 1. Critical Popular Music Studies: Interrogating the Methodological Meanings and Discursive Politics of 'Critical' and 'Popular' Runchao Liu and Jessica A. Schwartz -- 2. Methods for the Twenty-First Century: Artistic Research as a New Research Paradigm in Popular Music Studies Michael Kahr and Wolf-Georg Zaddach -- 3. Theorizing Aesthetics in a Practical Musicology Simon Zagorski-Thomas -- 4. Biographical Method and Interview as Techniques in Brazilian Communication and Music Studies Caroline Govari and Adriana Amaral -- 5. Beyond Popular Song: Analysing Persona-Environment Relationships in Contemporary Musical Theatre Nick Braae -- 6. The Cultural Imagination and Its Role in Researching Popular Music Eleftherios Zenerian -- 7. Semiotics as a Mode of Popular Music Analysis and Interpretation Brian Andrew Inglis -- 8. Form and Function: Deconstructing Music Graphics Russ Bestley -- PART TWO: BACK TO THE FUTURE: ARTEFACTS, ARCHAEOLOGY, ARCHIVE AND HERITAGE. 9. Do-It-Together: Punk Methodologies for Researching the Heritage of Popular Music Sarah Baker, Zelmarie Cantillon, Jennifer Chubb, Paul Graves-Brown, Suzy Harrison, Brett Lashua, Liam Maloney, Jack McNeill, Raphaël Nowak, Hilary Orange, Yorgos Paschos, John Schofield and Aleen Stanton -- 10. Records, Subjects and Agents: Exploring Archives of Popular Music through Critical Archival Studies Kirsty Fife -- 11. Issues in US Forensic Musicological Analysis of Popular Music Dana DeVlieger -- 12. The Cover-Version Spectrum: Reframing the Relationship between Imitation and Transformation in Pop-Punk Cover-Versions Rob Upton -- 13. Digging in the Takes: Using Archaeological Approaches to Study Popular Music History Paul Thompson and Barkley McKay -- 14. Focused Musical Artefact Analysis Carsten Wernicke and Michael Ahlers -- PART THREE: EXPLORING ETHNOGRAPHIC APPROACHES IN POPULAR MUSIC STUDIES. 15. Adele Clarke's Situational Analysis and Its Potential for Popular Music Studies Daniel Suer and Florian Heesch -- 16. Cosmopolitan Hubs: Glocalization and Non-Native Culture Brokers in the Globalization of Popular Music Cultures Tenley Martin -- 17. Art Gallery Drum Kit Solos, Spirituality and Practical Musicology Gareth Dylan Smith -- 18. Ethnographic Methods and Ethics for Online Cultures of Popular Music Raquel Campos Valverde -- 19. Internet Pop Reception as Sonic Autoethnography: Circulating Music, Story and Self Online Iain Findlay-Walsh -- PART FOUR: SEXUALITY, RACE AND INTERSECTIONALITY IN THE STUDY OF POPULAR MUSIC. 20. Is It Drag? Trans Perspectives on Queering Popular Music Research Sadie Hochman-Ruiz -- 21. Staying in the Field: Emotional Labour and Trauma in Popular Music Ethnography Ryan J. Lambe -- 22. Representing Power through China Wind Music: The Soft and Hard Masculinities of the Nation Na Li -- 23. The Conferralist Framework: Method and Application in Popular Music Studies Hussein Boon -- 24. When 'Up for It' Is Not for Everyone: From Content Analysis to the Music Analysis of Sexualization Model (MAS-Model): An Approximation of Contemporary Music from a Decolonial Lens Priscila Alvarez-Cueva -- PART FIVE: APPROACHES TOWARDS A POPULAR MUSIC PEDAGOGY. 25. Person-Centred Popular Music Education: Negotiating Gender, Community and Industry Expectations Sini Timonen -- 26. Popular Music Education Methodologies in the United States: An Overview Bryan Powell -- 27. Process-Based Pedagogies for Creative Practice Studies Chris Whiting -- 28. Reflective Piano Pedagogy: Improvisation and Composition in Classical and Contemporary Repertoires Alethea de Villiers -- 29. Popular Music Production: Rethinking Recording Studio Labels Pat O'Grady -- PART SIX: POPULAR MUSIC AND CONNECTEDNESS: RECOVERY STUDIES, MUSIC AUDIENCES AND SPIRITUALITY. 30. Exploring Post-Subcultural Participation through a Practice-Centred Approach: The Case of the Vaporwave (Virtual) Scene Simone Tosoni and Alessandro Ricotti -- 31. Recovery Studies and Pop Musicology: The Twelve Steps as Lyrical, Visual and Sonic Rhetoric Adam J. Goldwyn -- 32. When Is a Music Audience? The Challenges of a Sociological Perspective of Music Audiences in the Platform Age Jo Haynes and Raphaël Nowak -- 33. Studying Religion and Popular Music Marcus Moberg and Christopher Partridge -- 34. In Search of Krishna: Narrative Enquiry and the Trajectory of the Spiritual in Krishnacore Mike Dines -- PART SEVEN: THINKING AHEAD: EMERGING METHODOLOGIES IN POPULAR MUSIC STUDIES. 35. Confronting Climate Change in Popular Music Texts: Nostalgia, Apocalypse, Utopia Tore Størvold -- 36. Do Meat-Eaters Dream of Vengeful Sheep? Towards a Methodology for Animal-Oriented Music Criticism Marc Brooks -- 37. An Ecosemiotic Approach to the Analysis of Timbre Maria Perevedentseva -- 38. Research Methods in Live Electronic Music and Audio-Visual Performance Kirsten Hermes -- 39. Technology, Creativity and Pop Music Production: The Case of Cantopop Hon-Lun Helan Yang and Edmond Tsang Yik-Man -- 40. Studying Playlist Cultures with Qualitative Digital Methods Alessandro Gandini and Maurizio Corbella -- 41. Popular Music in Esports, On and Beyond the Stage Eulalia Febrer-Coll Notes on Contributors Index.
edited by Mike Dines, Shara Rambarran and Gareth Dylan Smith.
Includes bibliographical references and index.