rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    title: Campaspe talks back
    sub title: women who made a difference in early modern art
  title info:
    title: Women who made a difference in early modern art
  name:
    name part: Stighelen, Katlijne van der
    role:
      role term: honouree.
  name:
    name part: Deinsen, Lieke van
    role:
      role term: editor.
  name:
    name part: Schepers, Bert
    role:
      role term: editor.
  name:
    name part: Sterckx, Marjan
    name part: 1978-
    role:
      role term: editor.
  name:
    name part: Vlieghe, Hans
    role:
      role term: editor.
  name:
    name part: Watteeuw, Bert
    role:
      role term: editor.
  type of resource: text
  genre: bibliography
  genre: festschrift
  genre: biography
  origin info:
    place:
      place term: be
    date issued: 2024
    copyright date: 2024
    issuance: monographic
  language:
    language term: eng
  physical description:
    form: print
    extent: 436 pages : illustrations (chiefly color), chart, facsimiles, plans, portraits ; 29 cm
  abstract: "With forty-three contributions this book pays homage to Katlijne Van der Stighelen, who has shown exceptional range in her own contributions to the history of art in the Southern Netherlands and beyond. With monographs on Peter Paul Rubens and Anthony van Dyck, she has considerably expanded scholarship on canonical artists. Yet early on, a catalogue raisonné of the portraits of the lesser-known Cornelis de Vos revealed that Van der Stighelen was not one to preserve the status quo but to challenge it. Mindful of protagonists and their historiographical pull, she has consistently rehabilitated artists relegated to the background, in some cases by single-handedly saving them from total oblivion and - remarkable feat - having them added to the canon. Portraiture, supposedly a sijd-wegh der consten, was paved into a central avenue of inquiry in Van der Stighelen's work. Her approach to the genre made it into a pathway for the introduction of women artists. What was a sijd-wegh became a zij-weg. From seminal publications on Anna-Maria van Schurman to revelatory exhibitions on Michaelina Wautier, Van der Stighelen's particular brand of feminism has impacted scholarship as deeply as it has touched the museum-going public. Women and portraiture are the core themes of the essays assembled in this book. The resulting group portrait is crowded and rambunctious and reflects the varied subject matter that has attracted Van der Stighelen's professional attention. It also paints a partial portrait of the community of scholars that she has so generously fostered. In trying to summarize the motivations of authors to contribute to this volume or the gratitude of generations of art historians trained by her, it is best to quote the title of the first exhibition on women artists in Belgium and The Netherlands, which Van der Stighelen curated in 1999: Elck zijn waerom."--
  note: edited by Lieke van Deinsen, Bert Schepers, Marjan Sterckx, Hans Vlieghe, Bert Watteeuw.
  note: "Essays in honour of Katlijne van der Stighelen"--Title page verso.
  note: Includes bibliographical references (pages 416-428, 435-436).
  subject:
    topic: Portrait painting
    topic: History
  subject:
    topic: Women in art
  subject:
    topic: Women artists
  subject:
    topic: Peinture de portraits
    topic: Histoire
  subject:
    topic: Femmes dans l'art
  subject:
    topic: Femmes artistes
  classification: ND1329.3.W6 C36 2024
  classification: 700-9492
  identifier: 9782503613055
  identifier: 2503613055
  location:
    physical location: POD
  record info:
    record content source: YDX
    record creation date: 241105
    record change date: 20250802185322.1
    record identifier: in00005654627
    language of cataloging:
      language term: eng