http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
an atlas of continuity in different locations
Cover -- Contents -- Acknowledgments -- Introduction: An Atlas of Ewa Partum's Artistic Practice -- Opening the Archive -- Horizontal Monograph -- Framing Ewa Partum's Artistic Practice -- Chapter 1 Existing Cartographies -- The Trajectory of the Redistribution of Ewa Partum's Practice -- The Genealogy of Ewa Partum's Artistic Practice: Text, Image, Body -- Ewa Partum and Conceptual Orthodoxy -- Negotiating Conceptual and Feminist Perspectives in Ewa Partum's Artistic Practice -- Chapter 2 Ewa Partum's Critical Engagement with Art Infrastructures
Troubling Terminology: Art Infrastructures and the Socialist Art Institution -- Entering the Professional Art World -- Creating Art Infrastructures: the Galeria Adres (1972-77) -- Re-entering the Professional Art World: Engaging with the Curatorial in the Context of Redistribution after 1989 -- Conclusion -- Chapter 3 Ewa Partum's Conceptual Art -- Conceptualism as a Circulating Idea -- Practicing Conceptualism -- Conclusion -- Chapter 4Feminist Identifications in Ewa Partum's Artistic Practice -- Feminist Self-Identification (1980) -- Ewa Partum's Situated Feminism
Indicating Victims and Oppressors: Feminist Pedagogy in Performances in Socialist Poland (1974-82) -- The Active Body: Rhetoric of Disinterestedness -- The Feminist Emigrant Body: Performances in West Berlin (1982-89) -- The Contemporary Gendered Economic Subject: The Delegated Performance Pearls (2006) -- Translating Ewa Partum's Feminist Art Globally -- Conclusion -- Chapter 5The Spaces of the Political: Ewa Partum's Works in the Public Space -- Public and Private Spheres in Partum's Work -- The Public Space -- East and West -- Art in the Public Space in Socialist Europe
The Production of the Public Space in West Berlin -- The Legality of Space (1971) -- Private Performance (1985) -- Conclusion -- Instead of Conclusion: Distribution Map -- The Musealization of the East -- Operating from a Global Position -- Illustrations -- Bibliography