http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
Text introduction. Performance at Queen's Hall with title of MAKING THE MESSIAH - THE LYDIANS AT THIRTY. Rehearsal space being set up and Pat Bishop rehearsing Lydian Singers at Bishop speaks to Christopher Laird, About the similarity between Steel Pan composers work and what is called counterpoint. And about the role of the steel pan in 'classical' orchestras. Lydians listen to recording Handel's Messiah singing along with Pat Bishop conducting. Pat Bishop speaking to Lydians about the production at Rehearsal. Pat Bishop rehearsing Soloist. Pat Bishop speaks to Christopher Laird, About Steel Pan music. Pat Bishop speaks to Christopher Laird, About policy of including people in Lydian Singers and the effect on the quality of the music - Shots of rehearsal. Pat Bishop speaks to Christopher Laird, About attendance at rehearsals. Christopher Laird interviews Mariel Cooper-Leach. Christopher Laird interviews Jennifer Jones-Morales. Pat Bishop rehearsing Lydians. Pat Bishop speaks to Christopher Laird, About attendance at rehearsals. Christopher Laird interviews Mariel Cooper-Leach. Christopher Laird interviews Patrick Bertrand. Pat Bishop rehearsing small group. Christopher Laird interviews Benedict Rousseau. Pat Bishop rehearses Lydian Steel band. Pat Bishop speaks to Christopher Laird, About adding dance to the Messiah. Harpsichord plays. Rehearsal with dancer Mondira Balkaransingh. Benedict Rousseau rehearses. Pat Bishop speaks to Christopher Laird, About relationship between Steel Pan and Harpsichord and the voices.
Title from resource description page (viewed September 17, 2021).