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Performing the score /

Bilson and Field consider the realization of the aspects of notation that Bilson presented in Knowing the score, especially in regard to work involving more than one instrument. Includes an interview with Sir Nicholas Kenyon, director of the Barbican Center in London, with fortepianist Kristian Bezu...

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Bibliographic Details
Other Authors: Bezuidenhout, Kristian (interviewee (expression)), Bilson, Malcolm (Instrumentalist, lecturer,), Field, Elizabeth (Elizabeth I.) (Instrumentalist, lecturer,), Kenyon, Nicholas, 1951- (interviewee (expression)), Rodriguez, Karen (director of photography.), Mozart, Wolfgang Amadeus, 1756-1791, Schumann, Robert, 1810-1856
Format: Video
Language:English
Language Notes:This edition in English.
Published: [Place of publication not identified] : Cornell University Press, 2011.
Series:Classical music in video
Subjects:
Bezuidenhout, Kristian > Interviews.
Kenyon, Nicholas, > 1951- > Interviews.
Kenyon, Nicholas, > 1951-
Music > Interpretation (Phrasing, dynamics, etc.)
Piano > History.
Piano > Performance.
Violin > History.
Violin > Performance.
Piano > Exécution.
Violon > Histoire.
Violon > Exécution.
Piano.
Violin.
Streaming videos.
Documentary films.
History.
Interviews.
Nonfiction films.
Documentaires.
Films autres que de fiction.
Online Access:Connect to this streaming video (Alexander Street Press)
Description
Summary:Bilson and Field consider the realization of the aspects of notation that Bilson presented in Knowing the score, especially in regard to work involving more than one instrument. Includes an interview with Sir Nicholas Kenyon, director of the Barbican Center in London, with fortepianist Kristian Bezuidenhout.
Physical Description:1 online resource (165 min.).