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Hidden battles /

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How does killing change the person who pulls the trigger? Hidden Battles is a dramatic and deeply intimate documentary about the psychological impact of war on five soldiers. Representing a cross-section of nationality, gender, class, and race, these soldiers unveil intimate memories about a central...

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Bibliographic Details
Other Authors: Elon, Danae (director of photography.), Moston, Maxim (composer (expression))
Format: Video
Language:English
Arabic
Hebrew
Spanish
Language Notes:Soundtrack in English, Arabic, Hebrew and Spanish, with subtitles in English.
Published: New York, NY : Filmakers Library, [2012]
Series:Filmakers library online
Subjects:
Soldiers > Psychology.
Combat > Psychological aspects.
Post-traumatic stress disorder.
War neuroses.
État de stress post-traumatique.
Névroses de guerre.
Feature films > United States.
Documentary films.
Feature films.
Internet videos.
Nonfiction films.
Video recordings for the hearing impaired.
Documentaires.
Films autres que de fiction.
Vidéos pour personnes handicapées auditives.
Online Access:Connect to this streaming video (Alexander Street Press)
Description
Summary:How does killing change the person who pulls the trigger? Hidden Battles is a dramatic and deeply intimate documentary about the psychological impact of war on five soldiers. Representing a cross-section of nationality, gender, class, and race, these soldiers unveil intimate memories about a central act of combat--killing another human being. Consciously apolitical but deeply psychological, Hidden Battles examines the strength and struggles of men and women who have killed and how they create a life for themselves afterwards.
Item Description:Originally produced in 2010.
Title from resource description page (viewed Nov. 14, 2013).
Streaming video file.
Physical Description:1 online resource (1 video file (65 min.)) : sound, color
Playing Time:01:05:08
Audience:For Adult; College audiences.
Production Credits:Director of photography, Danae Elon ; editor, Bryan Gunnar Cole ; composer, Maxim Moston; director, Victoria Mills.