Lucia di Lammermoor : tragische Oper in drei Akten /
"Ricciarelli is a harmonically sensitive Lucia who makes drama out of 'Regnava nel silenzio,' feeling every word. She uses a heavier, more forceful sound in Act II, acts well and interpolates a D-flat at the end of the sextet. Carreras feels the part of Edgardo, is in fresh voice and...
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| Corporate Authors: | , , |
| Other Authors: | , , , , , , , , , , |
| Format: | Video |
| Language: | Italian |
| Language Notes: | Sung in Italian. |
| Published: |
[Place of publication not identified] :
Bel Canto Society,
1982.
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| Series: | Opera in video
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| Subjects: | |
| Online Access: | Connect to this streaming video (Alexander Street Press) |
| Summary: | "Ricciarelli is a harmonically sensitive Lucia who makes drama out of 'Regnava nel silenzio,' feeling every word. She uses a heavier, more forceful sound in Act II, acts well and interpolates a D-flat at the end of the sextet. Carreras feels the part of Edgardo, is in fresh voice and has a good breath span. He's impassioned in the 'Maledetto' section of Act II and sings the opera's final moments with pathos. Nucci imbues Enrico with great emotional intensity, also a precision of rhythm from which the music benefits. He feels 'Cruda funesta smania' in his guts--and gives a spinal chill. His is the most viscerally satisfying account of the aria I've heard. Both face and voice ooze disdain. In Act II Gardelli opens a duet usually cut for Lucia and Raimondo. It's Bellinian in the beauty of its slow section." |
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| Item Description: | Based on: The bride of Lammermoor / Sir Walter Scott. Title from closing credits. Program notes and synopsis in English inserted in original container. |
| Physical Description: | 1 online resource (video file (133 min.)) |