Creating through mind and emotions /
The texts presented in Proportion Harmonies and Identities (PHI) Creating Through Mind and Emotions were compiled to establish a multidisciplinary platform for presenting, interacting, and disseminating research. This platform also aims to foster the awareness and discussion on Creating Through Mind...
| Corporate Author: | |
|---|---|
| Other Authors: | , , |
| Format: | eBook |
| Language: | English |
| Published: |
Leiden, The Netherlands :
CRC Press/Balkema,
2022.
|
| Series: | PHI (book series)
|
| Subjects: | |
| Online Access: | Connect to the full text of this electronic book Connect to the full text of this electronic book |
Table of Contents:
- <P>PART I â€" CREATING THROUGH MIND AND EMOTIONS </P><P>Introduction: Drawing with mind and emotions<BR><EM>Mário S. Ming Kong</EM></P><P>Innovation and tradition in human spaceflight architecture<BR><EM>Marc M. Cohen, D.Arch</EM></P><P>Waking up the trees: Reason, emotion and recovery in The Lord of the Rings<BR><EM>Martin Simonson</EM></P><P>The Justification of slavery in modern natural law<BR><EM>Maria do Rosário Pimentel</EM></P><P>PART II â€" ARCHITECTURE / URBANISM / DESIGN</P><P>Manfredo Tafuri and autonomous architecture: A disciplinary discussion of the 1970s<BR><EM>Jorge Nunes</EM></P><P>Rehearsing a performative theory for architecture<BR><EM>Ayman Kassem</EM></P><P>The essence of architectural creation: Aesthetic experience as impetus<BR><EM>Amra Salihbegovic, Domenico Chizzoniti</EM></P><P>Tectonics: Reconciling reason and emotion in the architectural project<BR><EM>João Carrola Gomes, Pedro Martins Mendes, Paulo Pereira Almeida</EM></P><P>Architecture as an extension of body and mind: Towards a consciousness of the body's experience in space<BR><EM>Inês Salgueiro, Rui Américo Cardoso</EM></P><P>The primitive hut: Empirical and emotional discovery for a theorization of architecture<BR><EM>Ana Marta Feliciano</EM></P><P>The phenomenon of Graz School: Architecture between emotions and rationalism<BR><EM>Aleksander Serafin, Marek Pabich</EM></P><P>Investigating the potential for integrating pure shadow lines into architectural design process<BR><EM>Alsaleh Sugati</EM></P><P>Architecture: reflections on the experience of the project<BR><EM>Dulce Loução</EM></P><P>Pedagogy in the architecture teaching process: Two unique examples in a Master’s Final Exam
- Creating through mind and emotions<BR><EM>Miguel Baptista-Bastos</EM></P><P>Rehabilitation or Multiple Rehabilitation? Rehabilitation as a subjective process by different ways of seeing â€" and 'wanting’ â€" to transform and signify the world<BR><EM>António Santos Leite</EM></P><P>Ambiguousness is an important element in architectural emotional space<BR><EM>Wenyu Qi, Mário S. Ming Kong</EM></P><P>The aesthetic construction of multiple humanistic thoughts in historical buildings<BR><EM>Wenyu Qi, Yun Liu, Mário S. Ming Kong</EM></P><P>Revisiting the City of Edo and the National Museum of Western Art, in Tokyo: Unlimited organisms, between reason and emotion<BR><EM>João Miguel Couto Duarte, Maria João Moreira Soares</EM></P><P>How creations can control minds: The railway stations of the dictatorial regime in Portugal<BR><EM>Ana Rute FaÃsca, Pedro Gomes Januário</EM></P><P>The sublime in architecture: Wright’s transcendentalism<BR><EM>Lucas Martins, Ana Tostões, Rui Jorge Garcia Ramos</EM></P><P>Mind, creation, and emotion: Reinventions in Tomás Taveira's architecture<BR><EM>Miguel Baptista-Bastos</EM></P><P>Complexity and contradiction in Eduardo Souto de Moura’s architecture: Some remarks on his creative process<BR><EM>José Cabral Dias</EM></P><P>The enigmatic and poetic dynamic of penumbra: Creating and experimenting among reason, emotion, and imagination<BR><EM>Ana Vasconcelos</EM></P><P>From sculpture to Casa da Fuseta, Algarve<BR><EM>Maria L. Duarte, Jorge T. Ribeiro</EM></P><P>São Paulo Tower: Recreating a Brazilian unbuilt visionary housing project with the help of mind, technology, and emotions<BR><EM>Arthur J. de Macedo, Hugo L. Farias</EM></P><P>Architecture, the starting point: A school in Ocuana<BR><EM>Sofia Outor, Margarida Louro, Francisco Oliveira</EM></P><P>Temporary housing: shelters for refugee camps<BR><EM>SÃlvia Santos, Margarida Louro</EM></P><P>The appropriation of the indigenous architecture in northern Brazilian Amazon for the architectural design process with bioclimatic strategies<BR><EM>VinÃcius Anjos, Anneli Maricielo Celis, Ana Karina Rodrigues</EM></P><P>Play and space: Childhood nostalgia as a creative process<BR><EM>Raffaella Maddaluno</EM></P><P>Spatial requirements and standards in the post-COVID-19 house<BR><EM>Carla Chiarantoni</EM></P><P>Genius Loci<BR><EM>Pedro Abreu</EM></P><P>Urban-architectural perception as creation between mind and emotion<BR><EM>Ljiljana ÄŒavić, Soraia Noorali</EM></P><P>The path of senses, between emotions and creation<BR><EM>Artur Renato Ortega, Eneida Kuchpil, Silvana Weihermann</EM></P><P>Drawing on time and form<BR><EM>Rogério Vieira de Almeida</EM></P><P>The foundation myth of St. Petersburg in the city guidebooks: creating heritage through mind and emotions<BR><EM>Irina Seit</EM></P><P>Rethinking the body, cultivating the mind, sharing the emotions. The Libertà neighborhood in Bari: an experiment in urban regeneration and social resilience.<BR><EM>Calogero Montalbano</EM></P><P>Designing minds with designed emotions: Spiral thinking design<BR><EM>José Silveira Dias, Rita Almendra</EM></P><P>Emotions sparkling innovation in lighting products design<BR><EM>Liliana Soares, Ermanno Aparo, Rita Almendra, João Teixeira, Jorge Passos</EM></P><P>Experience, body, and memory in creativity<BR><EM>Luis Miguel Ginja</EM></P><P>Fostering the common: Transformative socio-cultural innovation through co-creativity among citizens<BR><EM>António Gorgel Pinto, Paula Reaes Pinto</EM></P><P>Migrant living archive: Practice to improve cultural integration in participatory art and design projects<BR><EM>Paula Reaes Pinto, António Gorgel Pinto</EM></P><P>Creativity and sustainability<BR><EM>Gianni Montagna, Carla C. Pereira, Ana A. Marques</EM></P><P>Pause to think: Creating a fashion collection through music and emotions<BR><EM>Elisângela Zottesso, Layla Mendes, Ana Cristina Broega</EM></P><P>Analysis of robotics field mats as design objects<BR><EM>Alex Paiva, Luciane Maria Fadel</EM></P><P>PART III â€" ARTS</P><P>Identity in death: Communication and reflection through funerary art of the New Kingdom and Revolutionary Egypt<BR><EM>Theresa Wilshusen</EM></P><P>Did the Ancient Greeks perceive the color ‘blue’? An interdisciplinary approach.<BR><EM>Maria João Durão</EM></P><P>“A thing of beauty is a joy foreverâ€#x9D;: A transdisciplinary reading on creativity<BR><EM>Clara Germana Gonçalves</EM></P><P>Mental and emotional processes in two post-Bomarzian parks: Buzzi’s La Scarzuola and Saint Phalle’s Tarots’ Garden<BR><EM>Santi Centineo</EM></P><P>The spectacle of protest: The case of Budapest University of Theatre and Film Arts (SzFE)<BR><EM>Gizela Horváth</EM></P><P>The mind in the creative process: The mastering of technical processes, experimenting, breakaway, and the exploration of error and chance as creative strategies in the creation of a work of art<BR><EM>António CANAU</EM></P><P>The heartbeat, neuroaesthetics, artistic research, and creation through mind and emotions<BR><EM>Anna Unterholzner, PatrÃcia Gouveia</EM></P><P>Iannis Xenakis’ drawing expands the morphological intuition-thought inside musical composition<BR><EM>Sara Chang Yane, Ana Leonor Madeira Rodrigues</EM></P><P>PART IV â€" THE HUMANITIES</P><P>The project of a seed: 7 small steps to awaken sacred creativity<BR><EM>Joana Ribeiro (Sister Regina PACIS)</EM></P><P>Fredrik Gabriel Hedberg: The reluctant author of an autobiographical conversion narrative<BR><EM>Jakob Dahlbacka</EM></P><P>The sacred space of gods and saints: Some considerations about the sea and exile in Irish mythology and tradition<BR><EM>Angélica Varandas</EM></P><P>Creating the Otherness: Mind and emotions in the European making of 16th-century Japanese people<BR><EM>Helena Resende</EM></P><P>Mind and emotion in cinematic recreations of three Shakespeare’s plays<BR><EM>Iuliana Borbely</EM></P><P>Emotion and rationality in the creation of the ideal courtier<BR><EM>Maria
- Leonor GarcÃa da Cruz</EM></P><P>Fernando Pessoa’s creative process as a “Theater of the Mindâ€#x9D;<BR><EM>La Salette Loureiro</EM></P><P>Herberto Helder (1930-2015) F. Pessoa (1988-1935), Hugo von Hofmannsthal (1874-1929), Blauer Reiter’s and Rothko’s modern poie