Description
Item Description:Introduction: the cloister and the stage Historical contextApproaches and sources 1. Theatrical vocations: La Harpe's Mélanie, ou la Religieuse (1770-1802)Mélanie's instability: revisions to the text (1770-1802)Mélanie in the salonsFrom salon to stage: Mélanie in the Revolution (1790-1792)Reviving Mélanie (1796-1802)Conclusion 2. Changing habits: the monastic trope as secularisation, 1790 and 1791Prisoners of the cloth: impossible love in monastic dramaTaking it off: secularisation as comedyOver the line? Plays that failedConclusion 3. Dramaturgies of the cloister in Les Victimes cloîtréesPlaces of the forgotten: legends of monastic prisonsThe origins of the double sceneReading the double sceneConclusion 4. Mother-daughter plots in monastic dramaThe pregnant nun in D'Alembert's Eloge de Fléchier (1778)From sentimental to Gothic motherhood: Pougens's Julie, ou la Religieuse de NîmesMaternal heroism in Olympe de GougesRepublican family values: Chénier's Fénelon, ou les Religieuses de CambraiConclusion 5. Brotherly orders: soldiers, monks and libertines in monastic comedyPersistent libertines: Les VisitandinesBrotherhood or else: La Partie carréePigault-Lebrun: fraternity between the sexesConclusion Conclusion: lessons of the cloister Appendix 1: examples of the monastic trope in Revolutionary dramaAppendix 2: bibliography of printed examples of the monastic trope Bibliography Index.
Physical Description:1 online resource (xii, 203 pages) : illustrations (black and white).
Bibliography:Includes bibliographical references and index.
ISBN:9781789624434
1789624436
ISSN:0435-2866 ;