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A beautiful pageant : African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927 /

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Bibliographic Details
Main Author: Krasner, David, 1952- (Author)
Format: Book
Language:English
Published: New York : Palgrave Macmillan, 2002.
Edition:1st ed.
Subjects:
American drama > African American authors > History and criticism.
African Americans in the performing arts > New York (State) > New York > History > 20th century.
African American theater > New York (State) > New York > History > 20th century.
Performing arts > New York (State) > New York > History > 20th century.
American drama > New York (State) > New York > History and criticism.
African Americans > New York (State) > New York > Intellectual life.
Theater > New York (State) > New York > History > 20th century.
American drama > 20th century > History and criticism.
Harlem (New York, N.Y.) > Intellectual life.
African Americans in literature.
Harlem Renaissance.
Théâtre américain > Auteurs noirs américains > Histoire et critique.
Noirs américains dans les arts du spectacle > New York (État) > New York > Histoire > 20e siècle.
Théâtre noir américain > New York (État) > New York > Histoire > 20e siècle.
Arts du spectacle > New York (État) > New York > Histoire > 20e siècle.
Théâtre américain > New York (État) > New York > Histoire et critique.
Noirs américains > New York (État) > New York > Vie intellectuelle.
Théâtre américain > 20e siècle > Histoire et critique.
Noirs américains dans la littérature.
African American theater.
African Americans in the performing arts.
African Americans > Intellectual life.
American drama.
American drama > African American authors.
Intellectual life.
Performing arts.
Theater.
New York (State) > New York.
New York (State) > New York > Harlem.
Harlem renaissance
Aufführung
Theater
Schwärze
African Americans in the performing arts > New York (State) > New York.
African American theater > New York (State) > New York.
Theater > New York (State) > New York.
1900-1999
Geschichte 1910-1927
Criticism, interpretation, etc.
History.
Online Access:Table of contents
Contributor biographical information
Publisher description
Cover

MARC

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245 1 2 |a A beautiful pageant :  |b African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927 /  |c David Krasner. 
250 |a 1st ed. 
264 1 |a New York :  |b Palgrave Macmillan,  |c 2002. 
300 |a xii, 370 pages, 16 unnumbered pages of plates :  |b illustrations ;  |c 25 cm 
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504 |a Includes bibliographical references and index. 
505 0 0 |t African American performance in the Harlem renaissance --  |g PART I. 1910-1918 --  |t Men in black and white: race and masculinity in the heavyweight title fight of 1910 --  |t Exoticism, dance, and racial myths: modern dance and the class divide in the choreography of Aida Overton Walker and Ethel Waters --  |t "Pageant is the thing": black nationalism and The star of Ethiopia --  |g PART II. BLACK DRAMA --  |t Walter Benjamin and the lynching play: mourning and allegory in Angelina Weld Grimké's Rachel --  |t Migration, fragmentation, and identity: Zora Neale Hurston's Color struck and the geography of the Harlem renaissance --  |t Wages of culture: Alain Locke and the folk dramas of Georgia Douglas Johnson and Willis Richardson --  |g PART III. 1918-1927 --  |t "In the whirlwind and the storm": Marcus Garvey and the performance of black nationalism --  |t Whose role is it, anyway?: Charles Gilpin and the Harlem renaissance --  |t "What constitutes a race drama and how may we know it when we find it?": the little theatre movement and the black public sphere --  |t Shuffle along and the quest for nostalgia: black musicals of the 1920s --  |g Conclusion:  |t End of "butter side up." 
520 1 |a "The Harlem Renaissance was the time when Harlem came alive with theatre, drama, sports, dance and politics. David Krasner paints a vibrant portrait of the exciting years 1910 to 1927 and the diverse events they encompassed: the prizefight between Jack Johnson and Jim "White Hope" Jeffries; the first glimpse of new dance styles pioneered by Aida Overton Walker and Ethel Waters; the social significance of Zora Neale Hurston's play, Color Struck; and the extravagant productions of Star of Ethiopia pageants that emphasized African heritage. These were the fertile years when the residents of northern Manhattan were at the vanguard of artistic ferment, leading their downtown counterparts while at the same time playing a pivotal role in one of the most important political movements of the twentieth century: black nationalism."--Jacket. 
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