| Tag |
First Indicator |
Second Indicator |
Subfields |
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
in00004814902 |
| 008 |
950327r19951992waua b 001 0 eng |
| 005 |
20240808153120.3 |
| 010 |
|
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|a 95014821
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| 035 |
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|a (OCoLC)ocm32347408
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| 040 |
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|a DLC
|b eng
|e rda
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| 019 |
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|a 1166285115
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| 020 |
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|a 0295974796
|q (pbk. ;
|q alk. paper)
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| 020 |
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|a 9780295974798
|q (pbk. ;
|q alk. paper)
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| 029 |
1 |
|
|a AU@
|b 000011604582
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| 029 |
1 |
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|a DEBBG
|b BV010801638
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| 029 |
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|a HEBIS
|b 095186778
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| 029 |
1 |
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|a NLGGC
|b 141590270
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| 029 |
1 |
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|a NZ1
|b 4676591
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| 029 |
1 |
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|a UKBRU
|b 168776
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| 029 |
1 |
|
|a YDXCP
|b 160374
|
| 035 |
|
|
|a (OCoLC)32347408
|z (OCoLC)1166285115
|
| 050 |
1 |
0 |
|a BH39
|b .D56 1995
|
| 060 |
|
4 |
|a BF 408 D613 1995
|
| 082 |
0 |
0 |
|a 701/.17
|2 20
|
| 084 |
|
|
|a 20.06
|2 bcl
|
| 084 |
|
|
|a CC 6900
|2 rvk
|
| 049 |
|
|
|a MAIN
|
| 100 |
1 |
|
|a Dissanayake, Ellen,
|e author.
|0 http://id.loc.gov/authorities/names/n87927858
|
| 245 |
1 |
0 |
|a Homo aestheticus :
|b where art comes from and why /
|c Ellen Dissanayake.
|
| 250 |
|
|
|a First University of Washington Press edition.
|
| 264 |
|
1 |
|a Seattle :
|b University of Washington Press,
|c 1995.
|
| 300 |
|
|
|a xxii, 297 pages :
|b illustrations ;
|c 24 cm
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
| 500 |
|
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|a Originally published: New York : Free Press ; Toronto : Maxwell Macmillan Canada ; New York : Maxwell Macmillan International, ©1992.
|
| 504 |
|
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|a Includes bibliographical references (pages 255-271) and indexes.
|
| 505 |
0 |
|
|a 1. Introduction: Why Species-Centrism? -- 2. Biology and art: The implications of feeling good -- 3. The core of art: Making special -- 4. Dromena, or "Things done": Reconciling culture and nature -- 5. The arts as means of enhancement -- 6. "Empathy theory" reconsidered: The psychobiology of aesthetic responses -- 7. Does writing erase art?
|
| 520 |
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|a "Dissanayake argues that art was central to human evolutionary adaptation and that the aesthetic faculty is a basic psychological component of every human being. In her view, art is intimately linked to the origins of religious practices and to ceremonies of birth, death, transition, and transcendence. Drawing on her years in Sri Lanka, Nigeria, and Papua New Guinea, she gives examples of painting, song, dance, and drama as behaviors that enable participants to grasp and reinforce what is important to their cognitive world"--Back cover.
|
| 590 |
|
|
|b TAG Physical Holdings 2
|
| 650 |
|
0 |
|a Aesthetics.
|0 http://id.loc.gov/authorities/subjects/sh85001441
|
| 650 |
|
0 |
|a Creative ability.
|0 http://id.loc.gov/authorities/subjects/sh85033833
|
| 650 |
|
2 |
|a Esthetics
|
| 650 |
|
2 |
|a Creativity
|
| 650 |
|
6 |
|a Esthétique.
|
| 650 |
|
6 |
|a Créativité.
|
| 650 |
|
7 |
|a creativity.
|2 aat
|
| 650 |
|
7 |
|a 20.06 philosophy of art.
|0 (NL-LeOCL)077593707
|2 bcl
|
| 650 |
|
7 |
|a Creative ability
|2 fast
|
| 650 |
|
7 |
|a Aesthetics
|2 fast
|
| 650 |
|
7 |
|a Ästhetik
|2 gnd
|
| 650 |
|
7 |
|a Anthropologie
|2 gnd
|
| 650 |
|
7 |
|a Evolution
|2 gnd
|
| 650 |
|
7 |
|a Kunst
|2 gnd
|
| 650 |
1 |
7 |
|a Esthetica.
|2 gtt
|
| 650 |
|
7 |
|a Aesthetics.
|2 nli
|
| 650 |
|
7 |
|a Art
|x Philosophy.
|2 nli
|
| 655 |
|
7 |
|a History (form)
|0 (NL-LeOCL)088143147
|2 gtt
|
| 758 |
|
|
|i has work:
|a Homo Aestheticus (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGqKhF49qBB3Pfybj88m7d
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 938 |
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| 938 |
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| 938 |
|
|
|a Brodart
|b BROD
|n 48432199
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| 938 |
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|a Baker and Taylor
|b BTCP
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| 938 |
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|a YBP Library Services
|b YANK
|n 160374
|
| 994 |
|
|
|a 92
|b TAG
|
| 852 |
|
|
|a TAG
|b TAGC
|c galv,stk
|h BH39 .D56 1995
|t c.1
|
| 876 |
|
|
|c 13.56
|p 33620001158316
|x Acc# 2007-1449
|v unmediated -- volume
|
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| 952 |
f |
f |
|p normal
|a Texas A&M University
|b Galveston Campus
|c Jack K. Williams Library
|d Galveston Stacks
|t 0
|e BH39 .D56 1995
|h Library of Congress classification
|i unmediated -- volume
|m 33620001158316
|
| 998 |
f |
f |
|a BH39 .D56 1995
|t 0
|l Galveston Stacks
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