| Tag |
First Indicator |
Second Indicator |
Subfields |
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
in00004792204 |
| 003 |
OCoLC |
| 005 |
20260805143406.7 |
| 008 |
220923t20232023nyua b 001 0 eng |
| 010 |
|
|
|a 2022041726
|
| 040 |
|
|
|a DLC
|e rda
|c DLC
|
| 020 |
|
|
|a 9780815637912
|q (hardcover)
|
| 020 |
|
|
|a 0815637918
|
| 020 |
|
|
|a 9780815611578
|q (paperback)
|
| 020 |
|
|
|a 0815611579
|
| 020 |
|
|
|z 9780815655886
|q (ebook)
|
| 035 |
|
|
|a (OCoLC)1350415425
|
| 050 |
0 |
0 |
|a PR8807.D48
|b B33 2023
|
| 082 |
0 |
0 |
|a 823/.0872099415
|2 23/eng/20230210
|
| 100 |
1 |
|
|a Babbar, Anjili,
|e author.
|
| 245 |
1 |
0 |
|a Finders :
|b justice, faith, and identity in Irish crime fiction /
|c Anjili Babbar.
|
| 250 |
|
|
|a First edition.
|
| 264 |
|
1 |
|a Syracuse, New York :
|b Syracuse University Press,
|c [2023].
|
| 264 |
|
4 |
|c ©2023.
|
| 300 |
|
|
|a ix, 273 pages :
|b illustrations ;
|c 24 cm.
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
| 490 |
1 |
|
|a Irish studies
|
| 504 |
|
|
|a Includes bibliographical references and index.
|
| 505 |
0 |
0 |
|t Introduction --
|g Part one: Finders of Lost Things: Saint Anthony, Identity, and the Limits of Structural Justice --
|t The System, Changed: Ken Bruen's Jack Taylor, John Connolly's Every Dead Thing, Alex Barclay's Darkhouse, and Tana French's In the Woods --
|g Part Two: Michael Tramples Satan: Northern Ireland's Troubled Police --
|t "A Middle Finger to the Darkness": Adrian McKinty's Sean Duffy --
|t Borders: Brian McGilloway's Lucy Black --
|t Bridges: Claire McGowan's Paula Maguire --
|g Part Three: Saint Christopher: Redemption and Narrative --
|t A Disordered World: Gerard Brennan's Disorder, Stuart Neville's The Ghosts of Belfast, and Steve Cavanagh's The Defense --
|t The Stories We Tell :Eoin McNamee's Blue Trilogy --
|t Conclusion
|
| 520 |
|
|
|a Irish detectives are idiosyncratic characters, conforming neither to obsolete, stereotypical crime fiction devices nor to sentimentalized notions of Irishness engendered by the American imagination and popular culture representations. As these detectives attempt to reconcile and evaluate standards of religious and legal justice, assessing and ranking their value in a search for absolutes to incorporate in the basis of their own, individual systems, Irish noir makes use of heritage and genre in the establishment of a new approach, one which considers what it means to be both an individual and the product of social systems, both acculturated and globalized, both affected by the past and assuming a role in progress, both aware of imperfections of the self and the world and desirous of having a positive impact.
|
| 650 |
|
0 |
|a Detective and mystery stories, Irish (English)
|x History and criticism.
|
| 650 |
|
0 |
|a Justice in literature.
|
| 650 |
|
0 |
|a Faith in literature.
|
| 650 |
|
0 |
|a Identity (Philosophical concept) in literature.
|
| 830 |
|
0 |
|a Irish studies (Syracuse, N.Y.)
|
| 945 |
|
|
|b 87652
|
| 947 |
|
|
|a A14852491647
|
| 948 |
|
|
|a dmitchel 8/5/26 9.20.10
|
| 980 |
|
|
|b print
|c 40032287907
|g 565725
|k USD
|m 60.00
|q 1
|s AcqMono Conventional
|t Approval plan
|u Vendor order reference number
|v ZYBP
|y Print approval
|z Physical resource
|
| 999 |
f |
f |
|i bd2968b3-72a2-4de4-8315-35161493a904
|s dc0590c6-6a1c-48fd-b16d-64f607e17012
|t 0
|
| 952 |
f |
f |
|p normal
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|s Evans stk
|d Evans: Library Stacks
|t 0
|e PR8807.D48 B33 2023
|h Library of Congress classification
|i unmediated -- volume
|m A14852491647
|
| 998 |
f |
f |
|a PR8807.D48 B33 2023
|t 0
|l Evans: Library Stacks
|