Table of Contents:
  • Foreword / Robert Kolker (University of Virginia, USA)
  • 1. Introduction
  • New Wave, New Hollywood: New Perspectives / Nathan Abrams (Bangor University, UK) and Gregory Frame (Bangor University, UK)
  • Part I
  • Reassessment
  • 2. Old Hollywood Doesn't Live Here Anymore, Or Does it? Cinematic Melodramas of Beset Manhood in the Hollywood Renaissance / Fjoralba Miraka (University of Roehampton, UK)
  • 3. Formal Radicalism vs Radical Representation in The French Connection (William Friedkin, 1971) and Dirty Harry (Don Siegel, 1971) / Cary Edwards (University of Lincoln, UK)
  • 4. Smoke Gets in Your Eyes: Re-Reading the Nostalgia Film Frances Smith (University of Sussex, UK) 5. 'The Jew Wave': How Jewish Actors and Directors Created the American New Wave' / Vincent Brook (UCLA, USA) Part II
  • Recovery
  • 6. Zucker-Abrahams-Zucker: The 'Zany Godards' of the American New Wave / Emilio Audissino (University of Southampton, UK)
  • 7. Design as Authorship: Polly Platt's New Hollywood Aesthetic / Aaron Hunter (Maynooth University, Ireland)
  • 8. The Women Who Weren't There: Women in Effects Labor and the Problem of Women's Creative Labor Historiography / Julie Turnock (University of Illinois Urbana-Champaign, USA) 9. 'The Ultimate Fusion of Commerce and Art': Waldo Salt, Screenwriting and 1970s Hollywood / Oliver Gruner (University of Portsmouth, UK) Part III
  • Legacy
  • 10. Lost in the Landscape: Barbara Loden's Influence on the Contemporary American Female Road Movie / Aimee Mollaghan (Edge Hill University, UK)
  • 11. Expanding the Past: Julie Dash and Zora Neale Hurston, African American Women Filmmakers of New Hollywood and Early Cinema / Aimee Dixon Anthony (George Mason University, USA)
  • 12. Ripples of the New Wave: Mythologising the Sundance-Miramax / Era Kim Wilkins (University of Sydney, Australia)
  • 13. Robin Wood's Legacy: Ambivalence and American Films in the 1970s / Daniel Lik Hang Chan (City University of Hong Kong, Hong Kong)
  • Index