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|a (OCoLC)on1107845187
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|a 1107867403
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|a 9781108614306
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|a 9781108484589
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|q (paperback)
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|a (OCoLC)1107845187
|z (OCoLC)1107867403
|z (OCoLC)1117872886
|z (OCoLC)1165334800
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|a ML1900
|b .S3 2019
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4 |
|a 782.1/20943097471
|2 23
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| 049 |
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|a TXAM
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| 100 |
1 |
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|a Scott, Derek B.,
|e author.
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| 245 |
1 |
0 |
|a German Operetta on Broadway and in the West End, 1900-1940 /
|c Derek B. Scott.
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| 246 |
3 |
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|a German Operetta on Broadway & in the West End, 1900-1940
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| 264 |
|
1 |
|a Cambridge :
|b Cambridge University Press,
|c 2019.
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| 300 |
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|a 1 online resource
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
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|2 rdamedia
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| 338 |
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|a online resource
|b cr
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| 500 |
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|a Title from publisher's bibliographic system (viewed on 01 Jul 2019).
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| 520 |
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|a Academic attention has focused on America's influence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900-1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period - from modernity and gender relations to new technology and new media - and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core.
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| 505 |
0 |
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|a Cover; Half-title page; Title page; Copyright page; Contents; List of Figures and Tables; List of Music Examples; Acknowledgements; Introduction; Part I The Production of Operetta; 1 The Music of Operetta; 2 Cultural Transfer: Translation and Transcreation; 3 The Business of Operetta; 4 Producers, Directors, Designers, and Performers; Part II The Reception of Operetta; 5 The Reception of Operetta in London and New York; 6 Operetta and Intermediality; 7 Operetta and Modernity; 8 Operetta and Cosmopolitanism; Postlude: The Demise of Operetta
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| 505 |
8 |
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|a Appendix 1 Productions of Operetta from the German Stage on Broadway and in the West End, 1900-1940Appendix 2 Longest Runs of First Performances of Operettas from the German Stage on Broadway and in the West End, 1900-1940; Appendix 3 Operettas with English Librettos by Composers for the German Stage; Appendix 4 Selected Period Recordings of English Versions of Operetta from the German Stage; Appendix 5 Selected Films in English of Operettas by Composers for the German Stage; Appendix 6 Research Resources; Bibliography; Index
|
| 650 |
|
0 |
|a Operetta
|y 20th century.
|
| 650 |
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6 |
|a Opérette
|y 20e siècle.
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| 650 |
|
7 |
|a Operetta
|2 fast
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| 648 |
|
7 |
|a 1900-1999
|2 fast
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| 655 |
|
7 |
|a Electronic books.
|2 local
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| 710 |
2 |
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|a Cambridge Open Access - York University.
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| 710 |
2 |
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|a Cambridge University Press.
|
| 776 |
0 |
8 |
|i Print version:
|z 9781108484589
|
| 856 |
4 |
0 |
|u https://doi.org/10.1017/9781108614306
|z Connect to the full text of this electronic book
|t 0
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| 955 |
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|a Cambridge Open Access ebooks
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|
| 952 |
f |
f |
|a Texas A&M University
|b College Station
|c Electronic Resources
|d Available Online
|t 0
|e ML1900 .S3 2019
|h Library of Congress classification
|
| 998 |
f |
f |
|a ML1900 .S3 2019
|t 0
|l Available Online
|