Table of Contents:
  • Introduction: The Spectacle of Originary Moments
  • 1. The Consumption of Mythic Romance and Innocence
  • 2. Settler Aesthetics and the Making of Cinematic Geographies
  • 3. Filmic Apologies and Indigenous Labor
  • 4. The "New World" of Race, U.S. Law, and the Politics of Recognition
  • Conclusion: Undoing the Spectacle.