Table of Contents:
  • To Pivot Lightly: Adding the Vernacular to Art History's Sightline
  • "More, Many More": Van Der Zee's World of Harlem Renaissance Studio Photographers
  • The Newspaper and Ubiquity: 1924 Photographs as Moving Objects of the African Diaspora
  • A Reframing of Value: Van Der Zee's Restoration Work of the 1940s and Beyond
  • Black Quotidian Experiences: Revisiting the Met's Harlem on My Mind exhibition of 1969
  • Coda. To Nimbly Rewind.