Table of Contents:
  • Introduction
  • Folk Monsters and Monstrous Media: The Im/materialities, Modalities, and Regionalities of Being(s) Monstrous (Allison Craven and Jessica Balanzategui) Chapter One
  • The Momo Challenge as Urban Legend: Child and Adult Digital Cultures and the Global Mediated Unconscious (Jessica Balanzategui) Chapter Two
  • Every Imaginable Invention of the Devil: Summoning the Monstrous in Eurocentric Conceptions of Voodoo (Karen Horsley) Chapter Three
  • The Forest and the Trees: The Woods as Intersection between Documentary, Fairy Tale, and Internet Legend in <cite>Beware the Slenderman</cite> (Naja Later) Chapter Four
  • Mark Duplass as Mumbelgore Serial Killer: Fictional Vernacular Filmmaking in the <cite>Creep</cite> series (Andrew Lynch) Chapter Five
  • Monsters in the Forest: 'Little Red Riding Hood' Crimes and Ecologies of the Real and Fantastic (Cristina Bacchilega and Pauline Greenhill) Chapter Six
  • A Mother's Milk: Motherhood, Trauma, and Monstrous Children in Folk Horror (Emma Maguire) Chapter Seven
  • Documenting the Unheard: The Poetics of Listening and Empathy in <cite>The Family</cite> (Stephen Gaunson) Chapter Eight
  • Reimagining the <cite>Pontianak</cite> Myth in Malaysian Folk Horror: Flexible Tradition, Cinema, and Cultural Memory (Andrew Ng) Chapter Nine
  • An Uncommon Ancestor: Monstrous Emanations and Australian Tales of the Bunyip (Allison Craven) Chapter Ten
  • The Folk Horror "Feeling": Monstrous Modalities and the Critical Occult (Jessica Balanzategui and Allison Craven)