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| LEADER |
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210316s2021 cau o 000 0 eng d |
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|a (OCoLC)on1256540547
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| 020 |
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|a 9781953035486
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| 020 |
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|a 1953035485
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|z 9781953035479
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4 |
|a 943.6/1305
|2 23
|
| 049 |
|
|
|a TXAM
|
| 100 |
1 |
|
|a Ingram, Susan,
|e author.
|
| 245 |
1 |
0 |
|a Siting Futurity
|b The "Feel Good" Tactical Radicalism of Contemporary Culture in and around Vienna /
|c Susan Ingram.
|
| 264 |
|
1 |
|a Santa Barbara :
|b Punctum Books,
|c 2021.
|
| 264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 0000
|
| 264 |
|
4 |
|c 2021.
|
| 300 |
|
|
|a 1 online resource (pages)
|
| 336 |
|
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|a text
|b txt
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| 337 |
|
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|a computer
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|2 rdamedia
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| 338 |
|
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|a online resource
|b cr
|2 rdacarrier
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| 588 |
|
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|a Description based on print version record.
|
| 520 |
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|a "Siting Futurity: The "Feel Good" Tactical Radicalism of Contemporary Culture in and around Vienna shows how cultural practitioners in and around Vienna draw on their historical knowledge of locality to create rousing productions designed to get audiences to inform themselves about useful aspects of history, to get them to engage their presents, and to help make possible more socially equitable futures. Analyses of politically engaged works of contemporary theatre, film, and photography set in and around Vienna help to identify a historically oriented mechanism that enables artists to tap into Vienna's extraordinary, and extraordinarily under-appreciated, tradition of protest culture that dates back to the action that brought about the Wiener Neustadt "Blood Court" in the 16th century, but really came into its own with the city's most influential occupation of an abandoned slaughterhouse for 100 days in the late summer of 1976. It also shows how work with a connection to Vienna by international stars like David Bowie, Wes Anderson, and Christoph Schlingensief has absorbed the same principles.While the overwhelming scale of technological development and the ensuing problems and crises may not have been deliberately designed to induce resignation, passivity, and despair, those who benefit from the related hyperobjects of financialization and climate change must find it convenient that they do, as demoralization reduces resistance to their profit-making machinations. It is in this context that Red Vienna's proud tradition of social engagement and long tradition of resistance and radicality deserves to be better known.
|
| 650 |
|
0 |
|a Popular culture
|z Austria
|z Vienna
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|y 21st century.
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| 650 |
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|a Theater
|z Austria
|z Vienna
|x History
|y 21st century.
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| 650 |
|
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|a Motion pictures
|z Austria
|z Vienna
|x History
|y 21st century.
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| 650 |
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|a Photography
|z Austria
|z Vienna
|x History
|y 21st century.
|
| 650 |
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|a Social movements
|z Austria
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|x History
|y 21st century.
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| 651 |
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|a Vienna (Austria)
|x Intellectual life
|y 21st century.
|
| 651 |
|
0 |
|a Vienna (Austria)
|x Civilization
|y 21st century.
|
| 650 |
|
7 |
|a Demonstrations & protest movements.
|2 bicssc
|
| 650 |
|
7 |
|a Austria.
|2 bicssc
|
| 650 |
|
7 |
|a Theatre studies.
|2 bicssc
|
| 650 |
|
7 |
|a Film theory & criticism.
|2 bicssc
|
| 650 |
|
7 |
|a PERFORMING ARTS / Theater / History & Criticism
|2 bisacsh
|
| 655 |
|
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|a Electronic books.
|2 local
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| 710 |
2 |
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|a JSTOR (Organization)
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| 710 |
2 |
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|a Project Muse.
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| 830 |
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|a Book collections on Project MUSE.
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| 856 |
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|u https://www.jstor.org/stable/10.2307/jj.2299523
|z Connect to the full text of this electronic book
|t 0
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| 955 |
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|
| 952 |
f |
f |
|a Texas A&M University
|b College Station
|c Electronic Resources
|d Available Online
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|h Library of Congress classification
|
| 998 |
f |
f |
|a DB851
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