Introduction to Audiovisual Archives
Today, audiovisual archives and libraries have become very popular especially in the field of collecting, preserving and transmitting cultural heritage. However, the data from these archives or libraries - videos, images, sound tracks, etc. - constitute as such only potential cognitive resources for...
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| Format: | eBook |
| Language: | English |
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London :
Wiley,
2013.
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| Series: | ISTE.
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| Subjects: | |
| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- Cover; Introduction to Audiovisual Archives; Title Page; Copyright Page; Table of Contents; Introduction; Chapter 1. Context and Issues; 1.1. The ARA program
- a brief historical overview; 1.2. The scientific and cultural heritage of the ARA program; 1.3. The working process; 1.4. Knowledge engineering in the service of the ARA program; 1.4.1. Some questions; 1.4.2. Recourse to the semiotics of the audiovisual text; 1.4.3. Metalanguage of description, models and scenarios; 1.4.4. Models and scenarios of collection/prodution of audiovisual corpora.
- 1.4.5. Models and scenarios for publishing/republishing1.5. The digital environment and the working process; 1.6. Analyzing an audiovisual corpus using ASW Studio; PART 1: THE SEGMENTATION AND DESCRIPTION WORKSHOPS FOR AUDIOVISUAL CORPORA; Chapter 2. The Segmentation Workshop for Audiovisual Resources; 2.1. Introduction; 2.2. Segmentation of audiovisual corpora
- a general presentation; 2.2.1. Example of segmentation of a scientific interview; 2.2.2. Example of the segmentation of a conference; 2.2.3. Exemplication of the segmentation of an amateur video.
- 2.2.4. Example of the segmentation of an audiovisual report2.2.5. Other possible segmentations; 2.3. Appropriation of the segmentation workshop; 2.4. Some additional thoughts about segmentation; 2.5. Perspectives relating to the segmentation workshop; Chapter 3. Description Workshop for Audiovisual Corpora; 3.1. A general overview; 3.2. The metadescription part of an audiovisual analysis in ASW Studio: the mark of the editor's choice; 3.2.1. General overview; 3.2.2. Focus on the general sub-section of metadescription.
- 3.3. The identifying information of an audiovisual resource part in the ASW description workshopChapter 4. Analysis of Audiovisual Expression; 4.1. Introduction; 4.2. Analysis of the visual shot; 4.2.1. General overview; 4.2.2. General description of the visual shot and analysis procedures; 4.2.3. Examples of describing the visual shot of an audiovisual text; 4.2.4. Some specific uses of the analyzed visual shots; 4.3. Analysis of the sound shot; 4.3.1. General description of the sound shot and analysis procedures; 4.3.2. Example of analysis of a video described using the sound shot.
- 4.3.3. Some uses for sound clipsChapter 5. Analysis of the Audiovisual Content; 5.1. Thematic analysis; 5.2. A concrete example of the description of a topic; 5.3. The model of thematic description; 5.4. The objects of thematic analysis; 5.5. Procedures of analysis; 5.6. The different components of a model of thematic description; 5.7. Libraries of models for the description of subjects; Chapter 6. Uses of an Audiovisual Resource; 6.1. The Uses part of the ASW description workshop; 6.1.1. The genres of uses of an audiovisual text; 6.1.2. The target audience of an audiovisual text.