A feminist companion to Shakespeare.
| Other Authors: | |
|---|---|
| Format: | eBook |
| Language: | English |
| Published: |
Chichester, West Sussex :
John Wiley & Sons Inc.,
2016.
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| Edition: | Second edition / |
| Series: | Blackwell companions to literature and culture ;
97. |
| Subjects: | |
| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- Notes on contributors
- Preface to the second edition
- Introduction
- Part I. The history of feminist Shakespeare criticism: 1. The ladies' Shakespeare; 2. Margaret Cavendish, Shakespeare critic; 3. Misogyny is everywhere
- Part II. Text and language: 4. Feminist editing and the body of the text; 5. Made to write 'whore' upon? Male and female use of the word whore in Shakespeare's canon; 6. A word, sweet Lucrece confession, feminism, and The Rape of Lucrece
- Part III. Social economies: 7. Gender, class, and the ideology of comic form Much Ado about Nothing and Twelfth Night; 8. Gendered gifts in Shakespeare's Belmont: the economies of exchange in early modern England
- Part IV. The great Indian vanishing trick / colonialism, property, and the family in A Midsummer Night's Dream: 9. Race and colonialism; 10. Black ram, white ewe: Shakespeare, race, and women; 11. Sycorax in Algiers: cultural politics and gynecology in early modern England; 12. Black and white, and dread all over: the Shakespeare Theatre's Photonegative Othello and the body of Desdemona
- Part V. Performing sexuality: 13. Women and boys playing Shakespeare; 15. Lovesickness, gender, and subjectivity: Twelfth Night and As You Like It; 17. Duncan's corpse
- Part VI. Religion: 18. Others and lovers in The Merchant of Venice; 19. Between idolatry and astrology: modes of temporal repetition in Romeo and Juliet.
- Part VII. Character, genre, history: 20. Putting on the destined livery: Isabella, Cressida and our virgin/whore obsession; 21. The virginity dialogue in All's Well That Ends Well: feminism, editing, and adaptation; 22. Competitive mourning and female agency in Richard III; 23. Bearing death in The Winter's Tale; 24. Monarchs who cry: the gendered politics of weeping in the English history play; 25. Shakespeare's women and the crisis of beauty
- Part VIII. Appropriating women, appropriating Shakespeare: 26. Women and land: Henry VIII; 27. Desdemona: Toni Morrison's response to Othello; 28. Woman-crafted Shakespeares: appropriation, intermediality, and womanist aesthetics; 29. A thousand voices: performing Ariel.