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A companion to Shakespeare's works /

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Contains original essays on every Shakespearean tragedy from Titus Andronicus to Coriolanus. Includes thirteen additional essays on such topics as Shakespeare's Roman tragedies, Shakespeare's tragedies on film, Shakespeare's tragedies of love, Hamlet in performance, and tragic emotion...

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Bibliographic Details
Other Authors: Dutton, Richard, 1948-, Howard, Jean E. (Jean Elizabeth), 1948-
Format: eBook
Language:English
Published: Malden, MA : Blackwell Pub., 2003-
Series:Blackwell companions to literature and culture ; 17-20.
Subjects:
Shakespeare, William, > 1564-1616 > Criticism and interpretation > Handbooks, manuals, etc.
Online Access:Connect to the full text of this electronic book

MARC

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245 0 2 |a A companion to Shakespeare's works /  |c edited by Richard Dutton and Jean E. Howard. 
260 |a Malden, MA :  |b Blackwell Pub.,  |c 2003- 
300 |a 1 online resource (volumes <4.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Blackwell companions to literature and culture ;  |v 17-20 
504 |a Includes bibliographical references and index. 
505 0 |a v. 1. The tragedies -- v. 2. The histories -- v. 3. The comedies -- v. 4. Poems, problem comedies, late plays. 
505 0 0 |g Volume I: --  |t A rarity most beloved: Shakespeare and the Idea of Tragedy /  |r David Scott Kastan --  |t The Tragedies of Shakespeare's Contemporaries /  |r Martin Coyle --  |t Minds in Company: Shakespearean Tragic Emotions /  |r Katherine Rowe --  |t The Divided Tragic Hero /  |r Catherine Belsey --  |t Disjointed Times and Half-Remembered Truths in Shakespearean Tragedy /  |r Philippa Berry --  |t Reading Shakespeare's Tragedies of Love: Romeo and Juliet, Othello, and Antony and Cleopatra in Early Modern England /  |r Sasha Roberts --  |t Hamlet Productions Starring Beale, Hawke, and Darling From the Perspective of Performance History /  |r Bernice W. Kliman --  |t Text and Tragedy /  |r Graham Holderness --  |t Shakespearean Tragedy and Religious Identity /  |r Richard C. McCoy --  |t Shakespeare's Roman Tragedies /  |r Gordon Braden --  |t Tragedy and Geography /  |r Jerry Brotton --  |t Classic Film Version of Shakespeare's Tragedies: A Mirror for the Times /  |r Kenneth S. Rothwell --  |t Contemporary Film Versions of the Tragedies /  |r Mark Thornton Burnett --  |t Titus Andronicus: A Time for Race and Revenge /  |r Ian Smith --  |t There is no world without Verona walls: The City in Romeo and Juliet /  |r Naomi Conn Liebler --  |t He that thou knowest thine: Friendship and Service in Hamlet /  |r Michael Neill --  |t Julius Caesar /  |r Rebecca W. Bushnell --  |t Othello and the Problem of Blackness /  |r Kim F. Hall --  |t King Lear /  |r Kiernan Ryan --  |t Macbeth, the Present, and the Past /  |r Kathleen McLuskie --  |t The Politics of Empathy in Antony and Cleopatra: A View from Below /  |r Jyotsna G. Singh --  |t Timon of Athens: The Dialectic of Usury, Nihilism, and Art /  |r Hugh Grady --  |t Coriolanus and the Politics of Theatrical Pleasure /  |r Cynthia Marshall. 
505 2 0 |g Volume II: --  |t The Writing of History in Shakespeare's England /  |r Ivo Kamps --  |t Shakespeare and Contemporary Dramatists of History /  |r Richard Helgerson --  |t Censorship and the Problems with History in Shakespeare's England /  |r Cyndia Susan Clegg --  |t Nation Formation and the English History Plays /  |r Patricia A. Cahill --  |t The Irish Text and Subtext of Shakespeare's English Histories /  |r Willy Maley --  |t Theories of Kingship in Shakespeare's England /  |r William C. Carroll --  |t To beguile the time, look like the time: Contemporary Film Versions of Shakespeare's Histories /  |r Peter J. Smith --  |t The Elizabethan History Play: A True Genre? /  |r Paulina Kewes --  |t Damned Commotion: Riot and Rebellion in Shakespeare's Histories /  |r James Holstun --  |t Manliness Before Individualism: Masculinity, Effeminacy, and Homoerotics in Shakespeare's History Plays /  |r Rebecca Ann Bach --  |t French Marriages and the Protestant Nation in Shakespeare's History Plays /  |r Linda Gregerson --  |t The First Tetralogy in Performance /  |r Ric Knowles --  |t The Second Tetralogy: Performance as Interpretation /  |r Lois Potter --  |t 1 Henry VI /  |r David Bevington --  |t Suffolk and the Pirates: Discordered Relations in Shakespeare's 2 Henry VI /  |r Tomas Cartelli --  |t Vexed Relations: Family, State, and the Uses of Women in 3 Henry VI /  |r Kathryn Schwarz --  |t The power of hope? An Early Modern Reader of Richard III /  |r James Siemon --  |t King John /  |r Virginia Mason Vaughan --  |t The Kings Melting Body: Richard II /  |r Lisa Hopkins --  |t 1 Henry IV /  |r James Knowles --  |t Henry IV, Part 2: A Critical History /  |r Jonathan Crewe --  |t Henry V /  |r Andrew Hadfield. 
505 8 0 |g Volume III --  |t Shakespeare and the Traditions of English Stage Comedy /  |r Janette Dillon --  |t Shakespeare's Festive Comedies /  |r Francois Laroque --  |t The Humor of It: Bodies, Fluids, and Social Discipline in Shakespearean Comedy /  |r Gail Kern Paster --  |t Class X: Shakespeare, Class, and the Comedies /  |r Peter Holbrook --  |t The Social Relations of Shakespeare's Comic Households /  |r Mario DiGangi --  |t Shakespeare's Crossdressing Comedies /  |r Phyllis Rackin --  |t The Homoerotics of Shakespeare's Elizabethan Comedies /  |r Julie Crawford --  |t Shakespearean Comedy and Material Life /  |r Lena Cowen Orlin --  |t Shakespeare's Comic Geographies /  |r Garrett A. Sullivan, Jr. --  |t Rhetoric and Comic Personation in Shakespeare's Comedies /  |r Lloyd Davis --  |t Fat Knight, or What You Will: Unimitable Falstaff /  |r Ian Frederick Moulton --  |t Wooing and Winning (Or Not): Film/Shakespeare/Comedy and the Syntax of Genre /  |r Barbara Hodgdon --  |t The Two Gentlemen of Verona /  |r Jeffrey Masten --  |t Fie, what a foolish duty call you this? The Taming of the Shrew, Women's Jest, and the Divided Audience /  |r Pamela Allen Brown --  |t The Comedy of Errors and The Calumny of Apelles: An Exercise in Source Study /  |r Richard Dutton --  |t Love's Labour's Last /  |r John Michael Archer --  |t A Midsummer Night's Dream /  |r Helen Hackett --  |t Rubbing at Whitewash: Intolerance in The Merchant of Venice /  |r Marion Wynne-Davies --  |t The Merry Wives of Windsor: Unhusbanding Desires in Windsor /  |r Wendy Wall --  |t Much Ado About Nothing /  |r Alison Findlay --  |t As You Like It /  |r Juliet Dusinberre --  |t Twelfth Night: The Babbling Gossip of the Air /  |r Penny Gay. 
505 8 0 |g Volume IV --  |t Shakespeare's Sonnets and the History of Sexuality: A Reception History /  |r Bruce R. Smith --  |t The Book of Changes in a Time of Change: Ovid's Metamorphoses in Post-Reformation England and Venus and Adonis /  |r Dympna Callaghan --  |t Shakespeare's Problem Plays and the Drama of His Time: Troilus and Cressida, All's Well That Ends Well, Measure for Measure /  |r Paul Yachnin --  |t The Privy and Its Double: Scatology and Satire in Shakespeare's Theatre /  |r Bruce Boehrer --  |t Hymeneal Blood, Interchangeable Women, and the Early Modern Marriage Economy in Measure for Measure and All's Well That Ends Well /  |r Theodora A. Jankowski --  |t Varieties of Collaboration in Shakespeare's Problem Plays and Late Plays /  |r John Jowett --  |t What's in a Name? Tragicomedy, Romance, or Late Comedy /  |r Barbara A. Mowat --  |t Fashion: Shakespeare and Beaumont and Fletcher /  |r Russ McDonald --  |t Place and Space in Three Late Plays /  |r John Gillies --  |t The Politics and Technology of Spectacle in the Late Plays /  |r David M. Bergeron --  |t The Tempest in Performance /  |r Diana E. Henderson --  |t What It Feels Like for a Boy: Shakespeare's Brmid smf Sfpmod /  |r Richard Rambuss --  |t Publishing Shame: The Rape of Lucrece /  |r Copelia Kahn --  |t The Sonnets: Sequence, Sexuality, and Shakespeare's Two Loves /  |r Valerie Traub --  |t The Two Party System in Troilus and Cressida /  |r Linda Charnes --  |t Opening Doubts Upon the Law: Measure for Measure /  |r Karen Cunningham --  |t Doctor She: Healing and Sex in All's Well That Ends Well /  |r Barbara Howard Traister --  |t You not your child well loving: Text and Family Structure in Pericles /  |r Suzanne Gossett --  |t Imagine Me, Gentle Spectators: Iconomachy and The Winter's Tale /  |r Marion O'Connor --  |t Cymbeline: Patriotism and Performance /  |r Valerie Wayne. 
520 |a Contains original essays on every Shakespearean tragedy from Titus Andronicus to Coriolanus. Includes thirteen additional essays on such topics as Shakespeare's Roman tragedies, Shakespeare's tragedies on film, Shakespeare's tragedies of love, Hamlet in performance, and tragic emotion in Shakespeare. 
588 |a Description based on print version record. 
600 1 0 |a Shakespeare, William,  |d 1564-1616  |x Criticism and interpretation  |v Handbooks, manuals, etc. 
700 1 |a Dutton, Richard,  |d 1948- 
700 1 |a Howard, Jean E.  |q (Jean Elizabeth),  |d 1948- 
776 0 8 |i Online version:  |t Companion to Shakespeare's works.  |d Malden, MA : Blackwell Pub., 2003- 
776 0 8 |c Original  |z 0631226338  |z 9780631226338  |z 0631226346  |z 9780631226345  |z 1405107308  |z 9781405107303  |z 063122632X  |z 9780631226321  |z 0631226354  |z 9780631226352  |w (DLC) 2002074602 
830 0 |a Blackwell companions to literature and culture ;  |v 17-20. 
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