Theatre closure and the paradoxical rise of English Renaissance drama in the civil wars /
Focusing on the production and reception of drama during the theater closures of 1642 to 1660, Heidi Craig shows how the "death" of contemporary theater in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English...
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| Format: | Book |
| Language: | English |
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Cambridge ; New York :
Cambridge University Press,
[2023].
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| Summary: | Focusing on the production and reception of drama during the theater closures of 1642 to 1660, Heidi Craig shows how the "death" of contemporary theater in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English stage, drama thrived in print, with stationers publishing unprecedented numbers of previously unprinted professional plays, vaunting playbooks' ties to the receding theatrical past. Marketed in terms of novelty and nostalgia, plays unprinted before 1642 gained new life. Stationers also anatomized the whole corpus of English drama, printing the first anthologies and comprehensive catalogues of drama. Craig captures this crucial turning-point in English theatre history with chapters on royalist nostalgia, clandestine theatrical revivals, dramatic compendia and the mysteriously small number of Shakespeare editions issued during the period, as well as a new incisive reading of Beaumont and Fletcher's A King and No King. |
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| Physical Description: | x, 245 pages : illustrations ; 24 cm. |
| Bibliography: | Includes bibliographical references (pages 213-233) and index. |
| ISBN: | 9781009224031 1009224034 9781009224055 1009224050 |