http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
Artists' books and forgotten social objects
Front Matter -- Contents -- List of plates -- List of figures -- List of contributors -- Acknowledgements -- Introduction: the photobook as confluence -- Part I: The photobook market -- Towards an understanding of the market for photobooks -- Theorising encounters with contemporary photobooks: situation, materiality and plurality -- Part II: Feminist self-fashioning, 1970-90 -- Wonder Woman and other fantasies: Joan Lyons and the photo-based artists' book -- Mothers of invention: Barbara Norfleet, Elsa Dorfman, Bea Nettles, Clarissa Sligh and Susan Meiselas
Part III: Commitment and visibility -- Missing photobooks: a symptomatic reading on the reasons for and impact of the lack of publications by Black British photographers in the 1970s and 1980s -- The photobook as event -- Camden, NJ, 2013: a digital photobook -- Part IV: Institutional v. clandestine -- Photographing race and madness: annual reports of psychiatric hospitals in the US South in the early twentieth century -- Photobooks and the architectural imagination of California -- Experimental confluence: Amazônia by Claudia Andujar and George Love
Dead time: the 'collectivist' photobook in the prison work of Mohamed Bourouissa -- Part V: Memorialising the ephemeral -- The Road is Wider Than Long: a Surrealist photobook -- An unmade book: Walker Evans's 1970s alphabet Polaroids -- Select bibliography -- Index -- Plates
Includes bibliographical references and index.