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|a Schmidt-Wulffen, Stephan.
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| 245 |
1 |
4 |
|a The Object as a Process :
|b Essays Situating Artistic Practice.
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| 264 |
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1 |
|a Bielefeld :
|b transcript,
|c 2022.
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| 300 |
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|a 1 online resource.
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|a online resource
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| 490 |
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|a Edition Kulturwissenschaft
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| 505 |
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|a Cover -- Contents -- Foreword -- Speaking of Things -- An Introduction -- The Autonomous Aesthetic of Allure: Mary Bauermeister's Needless Needles and Graham Harman's Object Philosophy -- Graham Harman's art-object philosophy and Needless Needles -- Mary Bauermeister's Needless Needles in the mirror of OOO -- Object aesthetics of Needless Needles -- Simply things -- Things and objects -- Instruments and Devices -- Poiesis and Technology -- Gifts and Sacrifices -- Works of Art -- Ephemerality and Resistance -- Conclusions -- On Poetry
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| 505 |
8 |
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|a Origins and Ends: Understanding the Medium of Painting According to Heidegger's Truth -- 1. Originating Origins -- 2. Forestalling Ends -- 3. Caesura: The End of the End-Painting in the Contracted Field -- Object as Symbol: Baudrillard's Thanatopoietic Form -- Prelude: On the Paradoxical Logic of Life -- Baudrillard's Thanatopoietic Form -- Framing Symbolic Exchange -- Symbolic Exchange at Work -- A Lost Object: Death -- Pre-Capitalist Death -- The Death Drive: Freud Bataille -- Discrete Death: Serres' Quasi-Object -- Discreet Death: On the Natural and the Safe
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| 505 |
8 |
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|a Salute to Life: Reversibility and Artistic Practice -- Co-Production: Towards a Relational Ontology of Aesthetic Objects -- Beyond Hylomorphism: The Relationality of Becoming Plural -- Inscriptions: Co-Production and the Dephasing of the Filmic Art Object -- Resume: Artistic Practice as Trans-Individual Becoming -- Correspondences: Exploring the Echoes of Jack Spicer's Poetics in the Paintings of Matt Connors -- The Object of Non-Aesthetics -- Non-Standard Philosophy in Brief -- Precedents -- Invariance -- Matrix -- Solid Gifts -- Massimo Bartolini's Untitled Untitled (2001)
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| 505 |
8 |
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|a (Praeludium) Massimo Bartolini's Untitled Untitled -- A New Nature of Space -- The Method of postulation -- The object of the system -- Figuring the topologic condition -- Object + Subject = Body. An Equation for a non-Euclidean dimension (peractio) -- The Lure of Absence: Can there be Process without Artists? -- Persistent Materials -- A noisy love affair: The Language of Things in the Works of Mark Leckey and Musa paradisiaca -- The photographic multiples of Joseph Beuys as an extension of himself -- Beuys and his own image -- "I'm a sender, I transmit"
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| 505 |
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|a The aura of Beuys transmitted through appropriation -- And today? -- Obsolescence and reinvention: the case study of João Maria Gusmão and Pedro Paiva -- Media obsolescence -- "Zombie media" and material reinvention -- Case study: Portuguese artist-duo, Gusmao and Paiva -- Final considerations -- A Two-Way Mirror: Narcissism and Surveillance from the Closed Circuit to the Network -- Modernist Reflexivity and Video Reflection -- The Indexical Beyond the Imprint and the Photograph -- The Delay and the Recording: The Irruption of the Other's Gaze -- The Forms of the Electronic Apparatus
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| 500 |
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|a Narcissism and Surveillance, Spectacle and Discipline
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| 650 |
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0 |
|a Art
|x Philosophy.
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|a Object (Aesthetics)
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|a Knowledge, Theory of.
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|a Electronic books.
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|a Duarte, German A.
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1 |
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|i Print version:
|a Schmidt-Wulffen, Stephan
|t The Object as a Process
|d Bielefeld : transcript,c2022
|z 9783837661149
|
| 830 |
|
0 |
|a Edition Kulturwissenschaft.
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| 856 |
4 |
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|u http://proxy.library.tamu.edu/login?url=https://www.jstor.org/stable/10.2307/j.ctv371c5kg
|z Connect to the full text of this electronic book
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| 952 |
f |
f |
|a Texas A&M University
|b College Station
|c Electronic Resources
|s evans_pda
|d Available Online
|t 0
|e N68 .S36 2022
|h Library of Congress classification
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| 998 |
f |
f |
|a N68 .S36 2022
|t 0
|l Available Online
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