http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
performing Shakespeare's silent female power
This book explores a fresh and insightful interpretation of Hamlet's Gertrude as a prominent and powerful figure within the play. It shows how traditional readings of this character, both performance-based and scholarly, have been guided and constrained by misogynistic perspectives on female power. Bringing together the author's wealth of insight from a theater practitioner's perspective and combining it with a scholarly perspective, the book argues that Gertrude need not be limited to sex and motherhood. She could instead be played as Denmark's blood royal Queen, her role in the play then being about female political power. Gertrude's royal status could play out on stage through a variety of possible performance choices for stage design, stage business, acting processes and the actor's presence, both speaking and silent. The book takes into consideration Shakespeare's source myths, historical studies of the position of queens and the issues concerning them in early modern England, Hamlet's performance history and the text itself. It questions traditional readings of Hamlet, and offers detailed analyses of relevant scenes to demonstrate how Gertrude's Hamlet might play out on stage in the 21st century. This is an engaging and insightful interpretation for students and scholars of theater and performance studies, Shakespeare studies and theater practitioners.
Introduction. Sticky bits, or not another theory on Hamlet -- Part I. Reading Gertrude -- Not representing Gertrude -- The glance, the gaze and Gertrude: minimise or sexualise -- Resistant reading -- Using the sticky bits -- Part II. Writing Gertrude -- Shakespeare's material: the history and the sources -- Shakespeare's Gertrude -- Part III. Performing a blood royal Gertrude -- The blood royal Gertrude's production history -- Status and silence -- Performing the sticky bits with power -- Conclusion. Female sovereign power -- Hamlet in three pages.
Includes bibliographical references and index.
Routledge advances in theatre and performance studies