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| 001 |
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| 007 |
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| 008 |
180924s2018 ne ah ob 001 0 eng d |
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|a (OCoLC)on1054103599
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|a 9789048527564
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|a 9048527562
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|a (OCoLC)1054103599
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|a TXAM
|
| 245 |
0 |
0 |
|a Christian Metz and the codes of cinema :
|b film semiology and beyond /
|c edited by Margrit Tröhler and Guido Kirsten.
|
| 246 |
3 |
0 |
|a Film semiology and beyond
|
| 264 |
|
1 |
|a Amsterdam :
|b Amsterdam University Press,
|c [2018]
|
| 264 |
|
4 |
|c ©2018
|
| 300 |
|
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|a 1 online resource (484 pages) :
|b illustrations, facsimiles.
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| 336 |
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| 490 |
1 |
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|a Film theory in media history.
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| 504 |
|
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|a Includes bibliographical references and indexes.
|
| 588 |
0 |
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|a Description based on online resource; title from PDF title page (EBSCO, viewed September 24, 2018).
|
| 520 |
|
|
|a A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalisation in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.
|
| 600 |
1 |
0 |
|a Metz, Christian.
|
| 600 |
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| 650 |
|
0 |
|a Film criticism.
|
| 650 |
|
0 |
|a Motion pictures
|x Philosophy.
|
| 650 |
|
0 |
|a Semiotics.
|
| 650 |
|
6 |
|a Critique cinématographique.
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| 650 |
|
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| 650 |
|
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|a Motion pictures
|x Philosophy.
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|0 (OCoLC)fst01027348
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| 650 |
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|a Electronic books.
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1 |
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|e editor.
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2 |
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|a Film theory in media history.
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| 856 |
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|u https://www.jstor.org/stable/10.2307/j.ctv62hdcz
|z Connect to the full text of this electronic book
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f |
|a Texas A&M University
|b College Station
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|d Available Online
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|e PN1995.M45 C57 2018eb
|h Library of Congress classification
|
| 998 |
f |
f |
|a PN1995.M45 C57 2018eb
|t 0
|l Available Online
|