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| LEADER |
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| 001 |
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| 006 |
m o d |
| 007 |
cr ||||||||||| |
| 008 |
190726t20192019cau ob 001 0 eng c |
| 005 |
20230103223459.1 |
| 010 |
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|a 2019030107
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| 035 |
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|a (OCoLC)on1114282729
|
| 040 |
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|a PUL
|b eng
|e rda
|c PUL
|d OCLCO
|d UKKNU
|d SFB
|d OCLCO
|d JSTOR
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| 019 |
|
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|a 1295314357
|a 1295899666
|a 1295970873
|a 1303460268
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| 020 |
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|a 9780520974494
|q (ebook)
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| 020 |
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|a 0520974492
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| 020 |
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|z 9780520340145
|q (paperback)
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| 024 |
7 |
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|a 10.1525/luminos.83
|2 doi
|
| 035 |
|
|
|a (OCoLC)1114282729
|z (OCoLC)1295314357
|z (OCoLC)1295899666
|z (OCoLC)1295970873
|z (OCoLC)1303460268
|
| 037 |
|
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|a 22573/ctv2r96w9w
|b JSTOR
|
| 042 |
|
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|a pcc
|
| 050 |
0 |
0 |
|a N7433.8
|
| 072 |
|
7 |
|a GTC
|2 bicssc
|
| 072 |
|
7 |
|a LAN
|x 015000
|2 bisacsh
|
| 082 |
0 |
0 |
|a 700.1/05
|2 23
|
| 049 |
|
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|a TXAM
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| 100 |
1 |
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|a Kane, Carolyn L.,
|e author.
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| 245 |
1 |
0 |
|a High-tech trash :
|b glitch, noise, and aesthetic failure /
|c Carolyn L. Kane.
|
| 263 |
|
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|a 1912
|
| 264 |
|
1 |
|a Oakland, California :
|b University of California Press,
|c [2019]
|
| 264 |
|
4 |
|c ©2019
|
| 300 |
|
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|a 1 online resource.
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
|
| 337 |
|
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|a computer
|b c
|2 rdamedia
|
| 338 |
|
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|a online resource
|b cr
|2 rdacarrier
|
| 490 |
1 |
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|a Rhetoric and public culture: history, theory, critique;
|v 1
|
| 504 |
|
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|a Includes bibliographical references and index.
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| 505 |
0 |
|
|a Introduction : "Welcome to the failure age" -- Colors of error : from Plato to digital signal processing -- Avant-garde glitch : red noise, purple haze, black box -- Color as signal/noise -- Visual noise in the new photography -- Chroma glitch : data as style -- The X-ray sublime -- Landscape as data : from the classical to the consumer-mathematical -- Postscript : miraculous plastic's retrograde sublime.
|
| 520 |
|
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|a "High-Tech Trash: Glitch, Noise, and Aesthetic Failure maps an archaeology of failure in a culture seemingly ill-equipped to deal with it. To better understand failure, Kane argues, we must abstract from our subjective, personal disappointments and see them as meaningful symbols of a broader human struggle. By connecting twenty-first century digital aesthetics to critical issues in the history of high-tech, the book elucidates what it means to be an error-prone, fallible human in an age of hyper technology; to fail again and again without recourse to anything but repetition"--Provided by publisher.
|
| 588 |
|
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|a Description based on print version record and CIP data provided by publisher; resource not viewed.
|
| 546 |
|
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|a English.
|
| 650 |
|
0 |
|a Glitch art.
|
| 650 |
|
0 |
|a Art and technology
|y 20th century.
|
| 650 |
|
0 |
|a Art and technology
|y 21st century.
|
| 650 |
|
0 |
|a Failure (Psychology) in art.
|
| 650 |
|
0 |
|a Aesthetics, Modern
|y 20th century.
|
| 650 |
|
0 |
|a Aesthetics, Modern
|y 21st century.
|
| 650 |
|
6 |
|a Glitch art.
|
| 650 |
|
6 |
|a Art et technologie
|y 20e siècle.
|
| 650 |
|
6 |
|a Art et technologie
|y 21e siècle.
|
| 650 |
|
6 |
|a Échec dans l'art.
|
| 650 |
|
6 |
|a Esthétique
|y 20e siècle.
|
| 650 |
|
6 |
|a Esthétique
|y 21e siècle.
|
| 650 |
|
7 |
|a Communication studies.
|2 bicssc
|
| 650 |
|
7 |
|a Social Science / Media Studies.
|2 bisacsh
|
| 650 |
|
7 |
|a Aesthetics, Modern.
|2 fast
|0 (OCoLC)fst00798800
|
| 650 |
|
7 |
|a Art and technology.
|2 fast
|0 (OCoLC)fst00815441
|
| 650 |
|
7 |
|a Failure (Psychology) in art.
|2 fast
|0 (OCoLC)fst01903189
|
| 650 |
|
7 |
|a Glitch art.
|2 fast
|0 (OCoLC)fst01941395
|
| 650 |
|
7 |
|a LANGUAGE ARTS & DISCIPLINES / Rhetoric
|2 bisacsh
|
| 648 |
|
7 |
|a 1900-2099
|2 fast
|
| 653 |
|
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|a adventure time.
|
| 653 |
|
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|a aesthetics.
|
| 653 |
|
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|a analog.
|
| 653 |
|
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|a andreas gursky.
|
| 653 |
|
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|a art history.
|
| 653 |
|
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|a art.
|
| 653 |
|
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|a contemporary art.
|
| 653 |
|
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|a data.
|
| 653 |
|
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|a digital aesthetics.
|
| 653 |
|
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|a digital art.
|
| 653 |
|
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|a digital signal processing.
|
| 653 |
|
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|a digital.
|
| 653 |
|
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|a disney.
|
| 653 |
|
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|a dupont.
|
| 653 |
|
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|a edward burtynsky.
|
| 653 |
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|a error.
|
| 653 |
|
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|a failure.
|
| 653 |
|
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|a fallible.
|
| 653 |
|
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|a fine art.
|
| 653 |
|
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|a high tech.
|
| 653 |
|
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|a human struggle.
|
| 653 |
|
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|a hyper technology.
|
| 653 |
|
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|a innovation.
|
| 653 |
|
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|a inside out.
|
| 653 |
|
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|a kanye.
|
| 653 |
|
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|a landscape.
|
| 653 |
|
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|a media.
|
| 653 |
|
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|a modern art.
|
| 653 |
|
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|a new media.
|
| 653 |
|
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|a nonfiction.
|
| 653 |
|
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|a rhetoric.
|
| 653 |
|
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|a rosa menkman.
|
| 653 |
|
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|a signal noise.
|
| 653 |
|
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|a sublime.
|
| 653 |
|
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|a takeshi murata.
|
| 653 |
|
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|a technology.
|
| 653 |
|
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|a thomas rush.
|
| 653 |
|
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|a visual noise.
|
| 653 |
|
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|a wall e.
|
| 655 |
|
7 |
|a Electronic books.
|2 local
|
| 710 |
2 |
|
|a JSTOR (Organization)
|
| 776 |
0 |
8 |
|i Print version:
|a Kane, Carolyn L..
|t High-tech trash
|d Oakland, California : University of California Press, [2019]
|z 9780520340145
|w (DLC) 2019030106
|
| 830 |
|
0 |
|a Rhetoric and public culture (Oakland, Calif.) ;
|v 1.
|
| 856 |
4 |
0 |
|u https://www.jstor.org/stable/10.2307/j.ctv2rb75d5
|z Connect to the full text of this electronic book
|t 0
|
| 955 |
|
|
|a JSTOR Open Access ebooks
|
| 994 |
|
|
|a 92
|b TXA
|
| 999 |
f |
f |
|s 01d61f5f-7600-4ad9-b8e3-fea08fc5b18b
|i 63777263-ce73-4198-bca1-5350232390d4
|t 0
|
| 952 |
f |
f |
|a Texas A&M University
|b College Station
|c Electronic Resources
|d Available Online
|t 0
|e N7433.8
|h Library of Congress classification
|
| 998 |
f |
f |
|a N7433.8
|t 0
|l Available Online
|